Plot: Buster (Rami Malek) has made a name for himself by taking over summer holiday homes during winter. He’s been at it for years and has managed to evade capture so far. But it wasn’t always like this. Before that, he used to be Jonah. Jonah worked as a night receptionist in a hotel, trying to care for his wife Marty (Kate Lyn Sheil) and daughter Roxy (Sukha Belle Potter). But the constant night-shifts and the lack of sleep were starting to get to him. To get through the dreary nights, he starts talking to a guest who simply refers to himself as The Last Free Man (DJ Qualls) and believes that The Inversion is coming.
I saw Sarah Adina Smith’s first film The Midnight Swim many years ago, but it’s really one of those films that absolutely stayed with me. So, when I realized that her second film – Buster’s Mal Heart – was available on Netflix, I had to watch it immediately. And while it wasn’t quite as captivating as The Midnight Swim for me, it was absolutely captivating enough.
Plot: Erin (Nicole Kidman) is a police officer, only barely holding herself together. When a body turns up with markings that connect it to an undercover case from the very beginning of Erin’s career, she re-opens the investigation, she knows that her past has finally caught up with her – and that she may finally set things right.
Destroyer very cleverly cast Nicole Kidman against type, but I often felt that it relies to hard on that cleverness, on Kidman’s sallow looks. It is a decent crime movie, but it could have been a little more.
Paul (Ethan Hawke) and his dog are travelling on their own when their paths cross with a drunk priest (Burn Gorman) who tries to rob them. Although Paul gets the better of him, after the encounter he decides to pass through the small town of Denton. But trouble follows him there and he finds himself provoked by deputy Gilly (James Ransone). After a quick fight and a polite visit by the Sheriff (John Travolta), things seem to be resolved. But maybe Paul can’t shake Denton quite as quickly as he thought.
In a Valley of Violence is basically John Wick in the Wild West, but since I’m not much of a Western fan, that transfer didn’t completely work for me, although there is much to enjoy about the film.
Will (Logan Marshall-Green) and Edie (Tammy Blanchard) used to be happy. But after their son died, their relationship fell apart. Edie began dating David (Michiel Huisman) and then disappeared for two years. But now Edie and David are back and have invited all of their old friends to a dinner party, including Will and his new girlfriend Kira (Emayatzy Corinealdi). It’s weird coming back together like that, but there is something even weirder going on with Edie and David and the young woman (Lindsay Burdge) who seems to live with them now.
The Invitation doesn’t exactly tell a revolutionary, unforeseeable story. But it is so beautifully executed that I didn’t mind that for a single second. In fact, the old plot just emphasizes how good the rest of the film is.