Babyteeth (2019)

Babyteeth
Director: Shannon Murphy
Writer: Rita Kalnejais
Cast: Eliza Scanlen, Toby Wallace, Emily Barclay, Eugene Gilfedder, Essie Davis, Ben Mendelsohn
Seen on: 1.11.2020

Plot:
Milla (Eliza Scanlen) meets Moses (Toby Wallace) quite by chance and is immediately drawn to his reckless way of approaching life. Moses, on the other hand, sees Milla as a good opportunity to maybe get some cash off of her. But when Milla gets a nosebleed, he helps and they end up spending the day together. When Milla brings Moses home for dinner, her parents Anna (Essie Davis) and Henry (Ben Mendelsohn) are horrified. Intensely protective of their daughter, because she is young and she is very sick, unkempt Moses seems like the biggest threat. And when Moses steals some drugs from them to sell them, their fears are confirmed. But Milla is unwilling to let go of Moses. No matter what her parents or even Moses say about it.

Babyteeth was my last cinema visit in this year of the pest and I could have definitely chosen a worse film to complete the cinema roster this year. It is a sweet film that manages to find some fresh new aspects to a story that isn’t all that new anymore.

The film poster showing Milla (Eliza Scanlen) sitting next to a pool, wearing a wig, looking up at the sky.
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Boys in the Trees (2016)

Boys in the Trees
Director: Nicholas Verso
Writer: Nicholas Verso
Cast: Toby WallaceGulliver McGrathMitzi RuhlmannJustin Holborow
Part of: /slash Filmfestival
Seen on: 29.9.2017
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Plot:
Corey (Toby Wallace) spends most of his time with Jango (Justin Holborow) and their group of friends, knowing that things will soon change as they’re about to finish school. But first: Halloween. As they prowl through the neighborhood, they run into Jonah (Gulliver McGrath). Jonah and Corey used to be best friends, but by now, Jonah has turned into Jango’s favorite bullying target. But as the limits of reality shift around Jonah and Corey, they work through their past and present.

Boys in the Trees is a beautiful, atmospheric coming-of-age film that doesn’t focus on the result, but celebrates the transition itself. I really liked it.

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