Plot: In a run-down theater on 42nd street, a group of actors come together to rehearse their take on Uncle Vanya. In the play, Vanya (Wallace Shawn) is the caretaker of Serybryakov’s (George Gaynes) estate and used to be his brother-in-law. Now Serybryakov returns to the estate in the countryside with his new, much younger wife Yelena (Julianne Moore), upsetting the balance that was achieved in his absence.
Vanya on 42nd Street is a very minimalist film. It feels a bit like an experiment of how far you can boil things down. Unfortunately, the film cut away too much – in the end, my interest was reduced away, too.
Plot: Alexander (Wolfgang Hübsch) has withdrawn to his uncle Wanja’s (Martin Butzke) country estate to escape the financial crisis that is shaking the city and has caused a revolution. In the country, things still are mostly the same and Wanja and Sonja (Korinna Krauss) want to keep it that way. But Alexander and his wife Elena (Julia Dietze) have business ideas – lots of them.
Onkel Wanja is an ambitious project that tries a lot but it’s unfortunately also one that fails a lot. For me it was mostly marked by feeling long and exhausting, although there were a few bits that were pretty strong.