Plot: The painter Heideneck (Anton Walbrook) tends to draw the attention of women. His latest flame is the married Anita (Olga Tschechowa), but Heideneck isn’t all that interested in her anymore. Anita’s sister-in-law Gerda (Hilde von Stolz) thinks that Heideneck could be a wonderful distraction from her rather boring marriage. After they meet at a grand masquerade, she simply comes to his studio and he paints her – in the nude. When nothing more happens, Gerda leaves disappointed. Unbeknownst to Heideneck, the drawing is delivered to the newspaper to be printed as his illustration of the masquerade. The drawing causes quite a stir in Viennese society and Heideneck has to make sure that the identity of his model is neither revealed nor falsely assumed. So he simply makes up a name – not knowing that there actually exists a Leopoldine Dur (Paula Wessely) who gets drawn into the scandal without even realizing.
Maskerade is absolutely fantastic. I already liked Leise flehen meine Lieder, but Maskerade is even better – funny and charming and very stylish.
Plot: Franz Schubert (Hans Jaray) makes his living as a school teacher, but he is barely scraping by and always dreams of making music. When he has to pawn one of his instruments just to get by, pawn shop worker Emmi (Luise Ullrich) takes a shine to him. And Franz seems to like her, too. But right when his career seems to take a turn and he gets the chance to play at an important soiree, he crushes all hopes when he is unable to keep his temper in check when somebody in the audience laughs during his piece. Franz has to accept a teaching position in the country to make his living, a position with none other but the young woman in the audience who laughed at him – Duchess Eszterhazy (Mártha Eggerth).
Leise flehen meine Lieder is a very romantic take on a story that probably wasn’t as romantic. It works with music beautifully and I liked it.
Jehuda (Oscar Beregi Sr.) impresses the young Lea (Anny Hornik) and Lea’s devout father Esra (Albert Heine) agrees to their engagement. But before they can actually get married, Jehuda falls for Rahel (Ria Jászonyi) and not caring much for Lea, leaves her. Heartbroken Lea commits suicide. Esra confronts Jehuda and curses him, but Jehuda is unwilling to contemplate his part in the tragedy for many years.
Der Fluch didn’t really work for me. While it was interesting to get an authentic look at a Jewish settlement from a pre-World War 2 time, nothing else about the film really managed to convince me.