Director: Michael Longhurst
Writer: Peter Shaffer
Cast: Lucian Msamati, Adam Gillen, Karla Crome, Fleur de Bray, Geoffrey Beevers, Hugh Sachs
Seen on: 2.2.2017
Plot: Antonio Salieri (Lucian Msamati) looks back on his life, especially his relationship with Wolfgang Amadeus Mozart (Adam Gillen). When Mozart arrived at court, Salieri was already a well-established musician. Mozart’s genius swept Vienna, and his music deeply impresses Salieri. But Mozart the man turns out to be a disappointment, pushing Salieri into a deep crisis: why was this simpering fool graced with such musical talent, and he himself wasn’t?
Amadeus is an interesting production of a good (albeit historically inaccurate) play that suffers, though, from its take on Mozart.
To be quite honest with you, I don’t know much about classical music and I only heard this concert because my mom couldn’t attend and my dad was looking for somebody to go with him. So this review isn’t so much a review than it is a few thoughts jotted down for completion’s sake.
I definitely enjoyed the concert. The music was beautiful, though I honestly enjoyed the Mendelssohn Bartholdy most of all – even though that was only a small encore and certainly not the focus of the concert. But I’m simply a sucker for romantic classical music. I am sure they played very well, but here’s the part where I simply cannot say anything of substance. A big part of my entertainment though, was watching Pinnock conduct. We had great seats, so I was able to see him and his expressions quite clearly and he just seemed to have so much fun and enjoy himself so much and I think that transferred to the orchestra, the music and the audience.
In short, it was a great evening, even for a classical music novice like myself.
Thierry Malandain choreographed two different ballets for one show: in the first half, we got to see five pas de deux, dancing to piano concertos by Mozart. In the second half, Malandain told the story of Don Juan to the music by Christoph Willibald Gluck.
Even though I love dancing and the ballet, I am not really an expert on any of it. But I found both parts of the evening really nice, classic ballet with a modern twist.
Ferrando (Juan Francisco Gatell) is engaged to Dorabella (Paola Gardina) and Guglielmo (Andreas Wolf) to Fiordiligi (Anett Fritsch) and both couples are very much in love. They are staying with Don Alfonso (William Shimell) and his wife Despina (Kerstin Avemo). Don Alfonso is convinced of the fickleness of women and Ferrando and Guglielmo agree to a bet with him: They will dress up as strangers and try to seduce the fiancées of the other guy. But will that end well?
This production of Così fan tutte is extremely slick – from the stage design to the costumes, from the acting to the music, everything is just really glossy and smooth. For me, it hit a couple of wrong notes (no pun intended), but it was beautiful.
The Giacomo Variations builds from a good idea and has a good cast. Unfortunately, its director is not that good and the cast, albeit good actors, were wrong for the play. Or the play was wrong for them – whichever way you want to see it.