Three Billboards Outside Ebbing, Missouri (2017)

Three Billboards Outside Ebbing, Missouri
Director: Martin McDonagh
Writer: Martin McDonagh
Cast: Frances McDormand, Sam Rockwell, Woody Harrelson, Abbie Cornish, Lucas Hedges, Zeljko Ivanek, Caleb Landry Jones, Kerry Condon, Amanda Warren, Peter Dinklage, John Hawkes, Samara Weaving
Seen on: 5.2.2018
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Plot:
Mildred (Frances McDormand) has had enough. Her daughter was murdered and the police don’t even seem to try to solve it. So she posts three huge billboards that call attention to the fact. The billboards don’t fan the investigation so much as the emotions of the locals. They do make the life of police chief Willoughby (Woody Harrelson) more difficult, especially since his hotheaded deputy Dixon (Sam Rockwell) takes it personally.

Three Billboards tells its story very well. Unfortunately it just tells the completely wrong story, managing to perpetuate the racism it tries to stand against by centering the white perspective.

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X-Men: Apocalypse (2016)

X-Men: Apocalypse
Director: Bryan Singer
Writer: Simon Kinberg
Based on: The Marvel Comics series
Sequel to: X-Men: First Class, X-Men: Days of Future Past
Cast: James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas HoultOscar IsaacRose ByrneEvan PetersSophie TurnerTye Sheridan, Lucas Till, Kodi Smit-McPhee, Ben Hardy, Alexandra Shipp, Lana Condor, Olivia MunnZeljko Ivanek, Hugh Jackman, Stan Lee
Seen on: 25.5.2016

Plot:
Charles Xavier (James McAvoy) is busy with running his school for mutants and finding misunderstood and mistreated mutants around the world with the help of Raven (Jennifer Lawrence). In the meantime, Erik Lensherr (Michael Fassbender) has decided to disappear into a quiet and very normal life. But when an immortal, very dangerous and most powerful mutant, En Sabah Nur (Oscar Isaac), finds himself returned to consciousness after millennia of sleep, it becomes clear that they can only oppose him together.

So far, I really enjoyed this generation of X-Men movies and X-Men Apocalypse was a another thoroughly satisfying entry into the series. Especially after my rather lukewarm reaction to Captain America: Civil War, it was nice to get a superhero movie that manages to keep the quality of its predecessors, even if it doesn’t really add anything new to the story.

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Live Free or Die Hard (2007)

Live Free or Die Hard
Director: Len Wiseman
Writer: Mark Bomback
Based on: John Carlin‘s article A Farewell to Arms
Sequel to: Die Hard, Die Hard 2, Die Hard: With a Vengeance
Cast: Bruce Willis, Timothy Olyphant, Justin Long, Maggie Q, Cliff Curtis, Kevin Smith, Zeljko Ivanek, Mary Elizabeth Winstead

Plot:
After the FBI has been hacked, John McClane (Bruce Willis) is supposed to bring in Matthew (Justin Long), a suspected hacker. What should be a routine pick-up and drop-off, ends up in a full-blown shoot-out. And suddenly McClane finds himself right in the middle of the biggest hack of the century, trying to avoid the complete dismantling of the financial system.

After I actually liked the third Die Hard movie, I thought that I had finally hit my stride with these films. Unfortunately McClane is totally unhinged in this film, and they liberally peppered the script with misogyny and racism. That is not cool.

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Seven Psychopaths (2012)

Seven Psychopaths
Director: Martin McDonagh
Writer: Martin McDonagh
Cast: Colin Farrell, Sam Rockwell, Christopher Walken, Woody Harrelson, Linda Bright Clay, Tom Waits, Abbie Cornish, Olga Kurylenko, Michael Stuhlbarg, Michael Pitt, Harry Dean Stanton, Kevin Corrigan, Zeljko Ivanek, Gabourey Sidibe

Plot:
Marty (Colin Farrell) is trying to write a screenplay. He has a title – Seven Psychopaths – and a rough idea for a first psychopath. But apart from a drinking problem, he doesn’t have much else. His best friend Billy (Sam Rockwell) tries to help, but is mostly caught up with the dognapping business he runs with Hans (Christopher Walken). But when Marty’s girlfriend Kaya (Abbie Cornish) kicks him out and Billy naps the beloved Shi-Tzu of the crazy Charlie (Woody Harrelson), everything unravels pretty quickly.

The marketing for this film is completely off. And when I say completely off, they decided to take away the movie’s selling point to make it look like a pretty standard action comedy. But it’s not – instead it’s an exercise in meta – and I loved it.

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