Director: Andrea Pallaoro
Writer: Andrea Pallaoro, Orlando Tirado
Cast: Charlotte Rampling, André Wilms, Stéphanie Van Vyve, Simon Bisschop
Part of: Viennale
Seen on: 27.10.2017
Hannah (Charlotte Rampling) and her husband (André Wilms) of many years eat dinner. He changes a lightbulb. She packs a bag for him. They drive to prison and he stays there, while Hannah has to navigate the life they used to share on her own from now on. Their son (Julien Vargas) isn’t of much help, Hannah remains at a distance in her theater group and the only human contact she has is with Nicholas (Simon Bisschop), a young disabled boy she takes care of.
Hannah isn’t an easy film, but for me, it was a film well worth the effort I had to put in watching it (funnily enough, I said pretty much the same thing about Pallaoro’s first film, Medeas). Crafted carefully in every frame, it’s an exercise in what isn’t said or shown
Hannah is, as I said, a hard watch. It’s not easy to get into, there’s barely any dialogue, every minute of it makes itself felt and you always wait for some bigger revelation that doesn’t come – because there is no big twist: what you suspect is true. There is no need to put it more explicitly, to delve deeper into what happened. What Hannah concerns itself with is what’s happening now.
And what’s happening is a very precise, understated character study of a woman caught in a very, very difficult situation. Her struggles are portrayed with a lot of sensitivity and attention to detail. Rampling gives a stunning performance that is matched, if not surpassed by the absolutely stunning cinematography: Every frame here is deliberate and expressive.
I’m less happy with the way disability used in the film (another thing it has in common with Medeas. It becomes a metaphor here, ladden with meaning and we should really stop using disabled people/disability that way. Even though the metaphor is strong: disability is not here to make points about abled existence. Other than that, the use of metaphors here was really great, though.
The result is a tough film that asks hard questions and doesn’t give a lot of answers. But thinking about Hannah and how she deals with things might get you to make your own.
Summarizing: Difficult and interesting.