Lenz (Albert Paulus) works as a massage therapist in a town that lives off the sanatorium / spa business. But the town has seen its heyday and the few rich guests that make their way there anymore only barely keep Lenz and his family afloat. Therefore he’s looking for other possibilities to earn a little money and make a better living. Or at least drown his sorrows in alcohol. As he’s just about to get laid off, young dancer Nurit (Mercedes Echerer) comes to town to get well and Lenz is appointed as her therapist. But their relationship may not stay entirely professional.
Nachsaison has a few strengths, but ultimately it didn’t work for me. Neither Lenz nor the story itself managed to keep my interest.
The Victome de Valmont (John Malkovich) and the Marquise de Merteuil (Glenn Close) are thick as thieves, united in their love to manipulate and destroy the people around them, a skill they have so artfully mastered that their ploys don’t fall back on them. Both have a new project: Valmont is trying to seduce Madame de Tourvel (MIchelle Pfeiffer) who is staying at his aunt’s (Mildred Natwick) summer home and who is widely known for her morals and her loyalty to her husband. The Marquise, on the other hand, is looking for revenge on an ex-lover who just got engaged to the naive Cécile (Uma Thurman) who has spent practically her entire life in a convent. So she enlists Valmont’s help to completely corrupt Cécile.
After having so recently seen the play that was the starting point for the film, I must say that I was very much disappointed by the movie. I thought John Malkovich was miscast and the film never really finds its step. Michelle Pfeiffer is a sparkling star in it, though.
Carol Anne Freeling (Heather O’Rourke) is sent to stay with her aunt Pat (Nancy Allen), her husband Bruce (Tom Skerritt) and their daughter Donna (Lara Flynn Boyle) in the city, in a new skyscraper Bruce is currently overseeing the finishing touches on. But Reverend Kane (Nathan Davis) has followed Carol Anne even there. The strange phenomena surrouding Carol Anne are chalked up to psychosis by her school psychologist (Richard Fire) – and in the meantime, Kane grows ever nearer.
The second Poltergeist film already couldn’t hold a candle to the first, but the third is a big step down from even that. Nothing about it worked for me.
Frank Cross (Bill Murray) is a TV producer. Rich, successful and cynical, he always strives to find the lowest common denominator to make most people watch his station. The current project is a live version of Dickens’ A Christmas Carol, which Frank has spiced up, among other things with show girls. But just before the show starts, Frank is visited by his dead mentor Lew Hayward (John Forsythe) who warns him that he will be visited by three (other) ghosts to try to redeem him.
Scrooged was one of the films I used to watch regularly as a child, but I didn’t see it as an adult until now (or actually December, when it was screened at a local cinema). And as usual it is fascinating how different you see a childhood film as an adult. I enjoyed it then, I enjoy it now, but apart from my interestingly selective recollection, there were just so many things I never saw before.
Paul (Vicco von Bülow) is rather middle-aged but still spends most of his time when he isn’t working as a furniture salesman with his mother (Evelyn Hamann) who cooks for him, does his laundry and expects him to play scrabble with her and her friends. But when Paul, affectionately called Pussi, meets psychologist Margarete (Katharina Brauren) he starts to show an actual interest in a woman who isn’t his mother.
Ödipussi – a pun, as you probably gathered, on the Oedipus complex – is a classic of German comedy (contrary to Austrian popular belief, Germans do have a sense of humor) and it’s wonderfully absurd. It does end weirdly but that doesn’t make it any less entertaining.
When Toto was a little boy (Salvatore Cascio), he fell in love with the cinema. Supported, if roughly, by projectionist Alfredo (Philippe Noiret) he learns about film by becoming a projectionist himself, continuing on as a teenager (Marco Leonardi). But in a small Sicilian town, there aren’t many options and Toto will have to decide what he wants from life.
Nuovo Cinema Paradiso is, for the most part, really funny and sweet. I did not appreciate the romantic subplot, but other than that I really enjoyed it.
Police officer John McClane (Bruce Willis) travels from New York to LA for Christmas, where his wife Holly (Bonnie Bedelia) and children have been living for the past months. But shortly after he arrives at Holly’s office Christmas party, terrorists led by Hans Gruber (Alan Rickman) take the entire party hostage. Everybody but John, that is. With no way of contacting anybody on the outside, it’s up to John to get rid of the terrorists one by one.
I’m a little late to the party with this movie, I know. And maybe because I’m late to the party, I don’t really get what all the fuss about this film is about? I mean, yes, it’s a good action movie. There are some nice jokes. But I just didn’t think it was all that great.
CC (Mayim Bialik) and Hillary (Marcie Leeds) meet when they’re 12 years old and despite the fact that their lives couldn’t be any more different, they strike up an immediate and lifelong friendship. While CC dreams of becoming a singer and star to escape her life in the Bronx, Hillary follows her family’s money to an ivy league university. 10 years of pen palness after their first meeting, CC (Bette Midler) and Hillary (Barbara Hershey) move in together and continue to face life together, with all highs and lows.
My sister was appalled when she recently found out that I had never seen this film. She immediately gave me her DVD and told me to watch it because it’s one of her favorite films. Despite that I didn’t think I would like it much (prejudices getting in the way). But it turns out that it really is a beautiful film about a wonderful friendship.
Satsuki and Mei move to the countryside with their father after their mother falls sick. Their new house is very close to the forest. One day while playing there, Mei finds Totoro, a huge forest spirit. Together they live through several adventures.
My Neighbour Totoro is such a special movie. I don’t know how else to say it. And this rewatch really pushed it forward on my own personal Miyazaki best of list. It might not be as impressive, visually, as his others movies but it perfectly captures what it is to be a child.