Thee Wreckers Tetralogy consists of four animated short films made between 2009 and 2018, starting life as music videos for Thee Wreckers. They are supplemented by a documentary about the films and the band. The four short films are: No Place Like Home (2009), Lonely Bones (2013), Splintertime (2015), Reruns (2018) Director: Rosto Writer: Rosto The documentary is: Everything’s Different, Nothing Has Changed (2017) Director: Joao MB Costa, Rob Gradisen Part of: /slash Filmfestival Seen on: 22.9.2018 1-gif-review
I hadn’t heard of Thee Wreckers and I really didn’t know what I was getting myself into with these films, but I admit that I found the films, the animation, the music of the short films pretty mind-blowing. The animation’s aesthetics, the music and the dreamlike narrative style caught me just right and I really managed to lose myself in them. Even though each installment of the tetralogy is very different, they go together very well and make for an all around beautiful body of work.
Read a little more about each of the short films after the jump.
Plot: It’s 1976 and by law, all First Nations children under 16 have to attend residential schools. For the Red Crow Mi’kmaq that means being locked up at school and at the mercy of the sadistic truant officer Popper (Mark Antony Krupa). So it’s not surprising that Aila (Devery Jacobs) tries to keep herself away from school, like many other First Nation families. So far she managed to pay Popper off by selling weed with her uncle Burner (Brandon Oakes). But when her father (Glen Gould) comes home from prison, things become unbalanced.
Rhymes for Young Ghouls takes on a difficult subject with a lot of understanding and creativity for a full emotional impact. It’s really strong.
Plot: 2004. Farah (Nikohl Boosheri) is campaigning for John Kerry, a work that takes her knocking on doors across the USA. She is accompanied by her two best friends, K.J. (Kandis Fay) and Roopa (Kiran Deol). Their trip isn’t all business, though. K.J. and Roopa think that it is the perfect opportunity for Farah to finally lose her virginity. Farah does tend to agree but is uncertain and doesn’t want to embarass herself.
Farah Goes Bang is not a perfect film but especially for a first feature film it is very good. Engaging characters, good pacing and interesting politics more than make up for the weaknesses of the film that probably stem from inexperience.
Clemens (Franz Rogowski) just started working at a spa hotel. He is allowed to stay in a small storage room there and starts learning. But when the meek Clemens meets the rebellious Lara (Lana Cooper) who works in the kitchen, sparks start flying. As the two get more and more wrapped into each other, that spark between them starts to cause chaos in the entire hotel.
Love Steaks wasn’t my cup of tea. Difficult people in broken relationships is an interesting topic but if you try to sell it to me as romance, I’m out. And that’s what happened here.
After the death of her mother Sarah (Chantal Quesnelle), Nica (Fiona Dourif) moves in with her sister Barb (Danielle Bisutti) and her family. Also moving is a doll that was sent to Sarah just before her death. Things quickly start to become very strange, and Nica begins suspecting there is more to that doll than she thought at first.
Curse of Chucky didn’t really blow me away but it was one of the better films of the series. Still there was potential for a better film in there.
It is 1946. Jackie Robinson (Chadwick Boseman) is an excellent baseball player, but confined to the underfinanced, underrecognized and generally looked down upon Negro League due to the color of his skin. But Jackie is also not somebody who accepts things as they are, so when he is approached by Brooklyn Dodgers exec Branch Rickey (Harrison Ford) to play as the first black player in the Major League, he takes the chance. But unfortunately not everyone sees Jackie’s potential, most of the people only see the color of his skin – and they are not happy about it.
Baseball is not really my thing, but learning about racism is definitely something I’m trying to do, so I decided to give 42 a chance. And it is a decent, albeit not groundbreaking and surprisingly white film with a fantastic Boseman in the lead.
Dwayne (Macon Blair) has hit rock bottom. He doesn’t have a job, he lives out of his car, he doesn’t have any friends. It is only when he is told that the man who killed his parents is being released from prison that he starts moving again: he goes to find him and take his revenge. After he does, he goes to find his sister Sam (Amy Hargreaves). But revenge provokes revenge – and this spiral has only just begun.
Blue Ruin was entertaining enough but didn’t blow me away. Emotionally, I just never connected all that much to Dwayne and his ploy for revenge.
Kyōsuke Shikijō (Ryôhei Suzuki) is a high school student with a strong sense of justice, but unfortunately nothing to back that up with. So when he stands up against bullies, he regularly gets beat up. When Aiko Himeno (Fumika Shimizu) comes to his school, he immediately falls in love. Then Aiko is taken hostage during a bank robbery and Kyōsuke wants to save her. To not be recognized, he wants to pull on a mask, but pulls on a panty by mistake. But through that mistake his superpowers are released and Kyōsuke becomes Hentai Kamen – Pervert Mask.
When I first saw Hentai Kamen, I already loved it and I’m happy to say that it definitely holds up to re-watching it. It again had me laughing more often than not.
They put together a strong collection of short films here, some of which were connected to the /slash Filmfestival – where they did show You’re Next, the basis for the Simpsons Couch Gag; both Baskin and Monster were turned into feature films that were also part of the festival program – Baskin and The Babadook respectively; and Jason Eisener had segments in V/H/S 2 and The ABCs of Death, where Lee Hardcastle also made an appearance. The short films ranged from very funny and silly to outright terrifying and most of them were really effective, even if not all worked for me.
[After the jump I’ll talk about each of the films individually.]
Zeki (Elyas M’Barek) was just released from prison and has only one thing in his mind: collecting his loot. His friend Charlie (Jana Pallaske) has hidden it in the ground, but when they get there, it turns out that a school has expanded and the treasure is now somewhere under the building. Zeki wants to apply as a janitor there, but is inadvertently hired as a teacher. To pass as long as it takes to get to his money, he uses the diligent teacher Lisi (Karoline Herfurth). But when he gets to teach the most difficult class in school, things start to change.
Fack Ju Göhte is not exactly a smart comedy, but it is fun to watch as long as you don’t think too much about any of it and ignore the sexism and classism.