Kyōsuke Shikijō (Ryôhei Suzuki) is a high school student with a strong sense of justice, but unfortunately nothing to back that up with. So when he stands up against bullies, he regularly gets beat up. When Aiko Himeno (Fumika Shimizu) comes to his school, he immediately falls in love. Then Aiko is taken hostage during a bank robbery and Kyōsuke wants to save her. To not be recognized, he wants to pull on a mask, but pulls on a panty by mistake. But through that mistake his superpowers are released and Kyōsuke becomes Hentai Kamen – Pervert Mask.
When I first saw Hentai Kamen, I already loved it and I’m happy to say that it definitely holds up to re-watching it. It again had me laughing more often than not.
They put together a strong collection of short films here, some of which were connected to the /slash Filmfestival – where they did show You’re Next, the basis for the Simpsons Couch Gag; both Baskin and Monster were turned into feature films that were also part of the festival program – Baskin and The Babadook respectively; and Jason Eisener had segments in V/H/S 2 and The ABCs of Death, where Lee Hardcastle also made an appearance. The short films ranged from very funny and silly to outright terrifying and most of them were really effective, even if not all worked for me.
[After the jump I’ll talk about each of the films individually.]
Zeki (Elyas M’Barek) was just released from prison and has only one thing in his mind: collecting his loot. His friend Charlie (Jana Pallaske) has hidden it in the ground, but when they get there, it turns out that a school has expanded and the treasure is now somewhere under the building. Zeki wants to apply as a janitor there, but is inadvertently hired as a teacher. To pass as long as it takes to get to his money, he uses the diligent teacher Lisi (Karoline Herfurth). But when he gets to teach the most difficult class in school, things start to change.
Fack Ju Göhte is not exactly a smart comedy, but it is fun to watch as long as you don’t think too much about any of it and ignore the sexism and classism.
4 children (Drew Davis, Zoe Fraser, Brendan Heard, Jake Goodman) make their way trick-or-treating through a desolate city. Despite the destruction, most people manage to find something they can give. But not all.
The Last Halloween has cool costumes, a great idea and knows when to quit. I doubt that it would have workes as a feature film, but as a short film it was perfectly creepy and atmospheric. I liked it.
A spaceship with a lone surviving astronaut (Sofia Helena), desperately trying to survive against weird creatures who have entered the ship.
Dédalo is a moody short film that noticeably didn’t have a lot of budget (especially for the CGI), but tries to make the most of it anyway, above all with a great creature design.There’s no real story to it (at least if you don’t consider the title’s mythical meaning, and even then it’s questionable), but for a few minutes of atmosphere it was more than enough.
The movie follows four people who are about to undergo plastic surgery. In interviews led by Agata Kulesza, they talk about their fears, reasons for the surgery and what changed for them afterwards. Additionally experts from various fields weigh in on what makes so many people opt for plastic surgery and what makes beauty beautiful.
Apart from the interesting topic, Desire for Beauty mixes fictional elements with personal stories and expert opinions, creating a varied structure that I liked a lot, even though it sometimes meant that it did get a little side-tracked.
Eric (Colin Firth) meets Patti (Nicole Kidman) by chance on a train and the two of them immediately hit it off. a short while later they get married and Pattie discovers that Eric is still stuck in his war experiences: as a young man (Jeremy Irvine), he was a prisoner in a Japanese labor camp for a good while and is now suffering from PTSD. When his best friend Finlay (Stellan Skarsgard) brings him a news report that shows his tormentor from back then, Takeshi (Hiroyuki Sanada), now working at a memorial of the labor camp and Eric decides to go back and make him suffer.
Railway Man is way too long and has so many issues I couldn’t like it one bit, despite the great cast.
After what happened in their home, the Lambert family decide to stay a while with Josh’s (Patrick Wilson) mother Lorraine (Barbara Hershey). But that home brings up memories from the first time Josh was confronted with the Black Bride and Lorraine had to ask Elise (Lin Shaye) and Carl (Stve Coulter) for help. Maybe that’s the reason why Josh is behaving so weirdly. Or maybe there is more to it.
Insidious: Chapter 2 might not be quite as good as the first film, but the difference between the two is so small, it almost disappears entirely.
After breaking up with his girlfriend because he can’t see himself having children and thus tells her to get an abortion, Hanoch (Lior Ashkenazi) goes on a trip from Israel to France where he starts to basically stalk police officer Reuven (Niels Arestrup). Reuven works in Missing Persons and is ready for retirement after the catastrophic end to a case he worked. But then Hanoch is found, without any ID and refusing to talk, wandering in the dunes near a beach and Reuven is tasked with figuring out who he is.
Unfortunately, La dune proved to be the bland ending to this year’s identities Festival. It didn’t start off badly, but it never manages to build up any tension or make me care for any of the characters.
In the 60s and 70s, a man picked up quite a few hitchhikers on the road, some of whom he brought to his home where he’d take more or less nude images of them. Detwiler edited those images together with thoughts of his own and poetry by Rainer Maria Rilke (spoken by Mike Burnell).
24 Hitchhikers worked very well for me on a visual level, less well when it came to the texts. The photos were beautiful and managed to give each of the young men their own beauty, which was wonderful. But when it came to the text, I already started off irritated because the version I saw mixed German and English a lot – I think everytime he cited Rilke, we got it in German, everything else was in English – and that was confusing and annoying. It also made me wish that he hadn’t included Rilke at all, even though I really do love his poetry, usually. More damningly, it did mean that I didn’t really focus on what was being said.
But it could be that that was just an issue with the copy we got, being in Austria and all, and that is particularly annoying if you speak both English and German. Since it is only a short film, the annoyance is of short duration anyway – and the photography is very much worth seeing.