Greta (Bethany Whitmore) is almost 15 and just started at a new school where she is befriended by Elliott (Harrison Feldman). When her well-meaning mother (Amber McMahon) wants to help her find her social footing by throwing a birthday party for Greta and inviting everyone, Greta is mortified. Feeling the pressure of the situation and of growing up in general, it’s no surprise that some of Greta’s fantasies my run away from her a little bit.
Girl Asleep is a funny and sweet film that shines when it works with fantasies but loses a bit of its glow when it turns to more mundane moments. Nevertheless, it’s a coming-of-age film that is worth checking out even in a well-saturated genre.
On a small pacific island ruled by a volcano and the patriarchal structure of the tribes that live on it, Wawa (Marie Wawa) and Dain (Mungau Dain) are in love. But after altercations with another tribe, Dain – the Chief’s grandson – is supposed to marry a woman from that other tribe to cement their peaceful relationship. But Wawa and Dain can’t accept their separation easily.
Tanna is an unusual film that deserves to be seen, although it also has a few lengths that kept me at a bit of a distance from the film.
Eli (Nadiv Molcho) and Maya (Aya Beldi) were in love until about a year ago when their relationship went down in flames. By chance, they meet again at a party and take the opportunity to reflect on their relationship. As they walk through Vienna and talk things through, maybe they’ll be able to shed new light on past events.
History of Now is obviously Molcho’s passion project and it shows in every minute of the film that he is a very young man – with emphasis on both the young and the man part. The result is okay, but not really my cup of tea. Maybe because I never was a young man.
Ray (Elle Fanning) is fighting to get the hormones he needs to transition. His mother Maggie (Naomi Watts) supports him as best she can, even when she does struggle herself sometimes with his being trans. They live together with Ray’s lesbian grandmother Dolly (Susan Sarandon) who tries to help, too, but doesn’t really understand what Ray is going through. They do not live with Ray’s father Craig (Tate Donovan) who has a new family and not much interest in Ray. But Craig needs to agree to Ray’s treatment, so Maggie and Ray have to convince him.
I knew going in that About Ray – retitled 3 Generations – wouldn’t be an unproblematic film about being trans, but I wanted to give it a try anyway. What I got was okay, but definitely not great.
Tom (Tom Sturridge) loses his memory after an accident. He is plagued by vague flashes of things half-remembered. Desperately trying to piece everything together, he starts to use the recompensation he got for the accident, he hires Naz (Arsher Ali) to help him build the pieces of his memory up again – literally.
Remainder works off an interesting idea, but the idea is not enough to carry the film – and it needed carrying. Despite a couple of good things, I ultimately didn’t care for it.
Emman (Angelo Ilagan) is a student who devotes most of his time to activism, protesting school fees and trying to create a more equal world for everybody. Nathan (D.M. Sevilla) is sent to one of the demonstrations to take photos for his newspaper. When he sees Emman, he feels immediately drawn to him and continues to go to demos. When violence erupts at one of those, Nathan pulls Emman to safety, kicking off a relationship that has to deal with more than its fair share of problems.
Shadows of Yesterday is a film that tries a lot and fails a lot. But at least they tried, I have to give them props for that.
Amos (Amir Tessler) lives with his parents Fania (Natalie Portman) and Arieh (Gilad Kahana) in Jerusalem. They are a happy family, although Fania misses her family in Tel Aviv, with whom communication is difficult due to the political circumstances. Amos grows up close to his mother who loves to tell him stories. At least until she becomes more and more depressed.
A Tale of Love and Darkness is not a bad film for a first feature from Portman as director. It does have a few weaknesses, but it certainly shows a lot of promise for her as both writer and director.
Hedi (Uisenma Borchu) moves in next doo to Iva (Catrina Stemmer) and her daughter Sofia (Anne-Marie Weisz). Sofia is curious about Hedi and Iva a single parent who needs help, so Hedi finds herself quickly involved in their lives, even beginning a romantic relationship with Iva. When Iva’s father (Josef Bierbichler) turns up, Hedi is intrigued. While Iva desperately tries to keep her distance from him, Hedi seeks him out.
Schau mich nicht so an is a weird film with weird characters. At the beginning I found this weirdness interesting, but it lost more of its charm with every passing minute.
Century Gowda (Singri Gowda) is a cantankerous 101-year-old when he dies, leaving behind three generations of men. His son Gadappa (Channegowda) lives an aimless life, mostly occupied with smoking and drinking and doesn’t seem to be much affected by Gowda’s death. His grandson Thamanna (Thammegowda S.) on the other hand smells big business with finally being able to sell the land Gowda owns – despite Gadappa inheriting first. And his great-grandson Abhi (Abhishek H.N.) is interested in a girl and not much else. As the Thithi, a funeral that takes place eleven days after death, approaches, it becomes clear that the three of them have to not only face Gowda’s death but also each other.
Thithi is one of those films that I wanted to like better than I did. It starts off strong, but doesn’t quite manage to keep up that strength.
Harper (Harper Graham) is still a child herslef, but as the oldest sibling, she is the one in charge of her younger brothers Elias (Elias Graham), Arri (Arri Graham), Ezra (Ezra Graham) and Jonah (Jonah Graham). It’s the summer holidays, it’s hot, and the four of them have to pass the day without any adult supervision, as their mother disappeared, again.
God Bless the Child sounded better on paper than it was on screen. While I did feel with the siblings, the film simply could not keep my attention for its entire runtime.