Plot: After a brutal break-up, Sloane (Emma Roberts) is alone for Christmas, a fact that her family will never let her forget, trying to set her up anyway they can. When Sloane’s more free-spirited aunt Susan (Kristin Chenoweth) suggest that she should just get herself a holidate, a guy to keep her company during the holiday parties, to escape the hassle, Sloane is hesitant at first. But then she meets Jackson (Luke Bracey) who is equally fed up with dating around the holidays. They agree to try holidating for New Year’s, and since it works out rather well, they agree to continue until they have something better. But maybe there is nothing better for them than each other.
Holidate is a cute film with a few good moments, but both Sloane and Jackson remained a little too bland to make the film really memorable.
“Plot”: Just before Adrian Pirvu was born, his mother traveled from Romania to Ukraine on a business trip. Unfortunately that was just when the nuclear accident in Chernobyl struck, exposing both his mother and Adrian to radiation. As a result, Adrian almost lost his eyesight entirely. Doctors were able to save one eye, though. Now an adult, Adrian starts looking for people who are suffering similarly from long-term effects of the disaster. He finds Ukranian Helena Maksyom whose spine causes her problems and chronic pain. As they work on the documentary together, tracing Chernobyl’s lasting effects, the two fall in love.
Totul nu va fi bine is an usual film, and a surprisingly personal one. While it is a bit of a pity that the actual Chernobyl disaster takes a backseat to the relationship of the two filmmakers, there is something precious about the resulting film.
Plot: Sam (Colin Firth) and Tusker (Stanley Tucci) are setting off on a road trip together, towards a concert Sam will be giving, the first in a long time. On the way there, they are determined to visit important places and people of their life together. Since Tusker was diagnosed with dementia and is lapsing more and more, their trip is something like a farewell tour, too.
Supernova is a beautiful and sad film with great performances and a devastating soundtrack (thank you, Keaton Henson). It should not be missed.
Plot: Sarah (Alison Brie) lives a very quiet life. She works at an arts and craft store with Joan (Molly Shannon) and very much likes crafts herself. She lives with a roommate, Nikki (Debby Ryan), who keeps inviting her to go out a little more, but she rather stays home to watch a supernatural TV show about Agatha (Robin Tunney) and Darren (Matthew Gray Gubler). In her time off, she likes to visit a horse that used to be hers. But Sarah finds herself having strange dreams and zoning out more and more. There is something going on that she just can’t grasp.
Horse Girl is a very well-made film that is serious beneath its soft appearance and its sense of humor. With a fantastic performance by Brie, we get a character study that packs a punch after a soft beginning.
Plot: Frank and Zed are the sole remaining inhabitants of a castle that is slowly falling apart, and strictly speaking, they aren’t even alive. But they do have their routines that ensure their continued existence. In a nearby village, rumors and myths about the castle abound and prove fertile ground for a magistrate to satisfy his power urges, leading the villagers, as well as Frank and Zed into the prophesied Orgy of Blood.
I have to admit that watching puppets in a gore film (what the director dubbed puppetcore) is a fun idea and the execution was very impressive. Narratively, though, the film is a little thin, leaving the impression that there is not much to it apart from the puppetcore idea.
Plot: A while ago, Miriam (Madeleine Sims-Fewer) and her husband Caleb (Obi Abili) spent some time with Miriam’s sister Greta (Anna Maguire) and Greta’s husband Dylan (Jesse LaVercombe) whom Miriam has known since they were kids. The relationship between the sisters hasn’t always been easy and the meeting between them is supposed to be a fresh start. Since things between Miriam and Caleb have been icy for a while, Miriam also hopes for a fresh start with him as well. But things turn out quite differently for Miriam, leaving her shaken to her core and desperate.
Violation is not an easy film. It’s not easily digested and it works better on an intellectual level than on an entertainment level. But that’s kind of the point as it questions how rape-revenge movies usually work.
Plot: Eugene (Jack Rowan) is a rather aimless young man who spends most of his time avoiding working for his father Francie (Nigel O’Neill), and drinking with his best friend William (Fra Fee) and William’s girlfriend Claire (Louisa Harland). Every once in a while, a tourist comes along that they can tell about the local vampire legend that inspired even Bram Stoker and show the mysterious cairn where said vampire is supposedly laid to rest – a nice change of pace. But when the cairn stands in the way of the newly planned highway, things become strange and bloody quickly.
Boys from County Hell was the festival’s surprise movie and when they announced it, all they said was that it’s less than 90 minutes and a comedy. “Just what I needed,” I thought, but unfortunately the film doesn’t quite work.
Plot: Teddy (Anthony Bajon) is widely considered the bad apple of his small village. He dreams big, but his reality is pretty small. Living with elderly relatives he has to care for, he works at a massage parlor where his employer Ghislaine (Noémie Lvovsky) is too touchy. More often than not, Teddy gets into fights. Not even his girlfriend Rebecca’s (Christine Gautier) parents like him, but at least Rebecca does. And then Teddy gets scratched by some creature and his life gets even worse.
Teddy starts as a whole lot of fun, but soon takes a turn towards darkness that I found unsatisfying and a little shoddily handled. But until then, I liked it a lot.
Plot: Joseph (Devon Sawa), Anne (Camille Sullivan) and their daughter Renee (Summer H. Howell) live off the grid, in the middle of the forest, getting by as trappers, selling the furs of the animals they catch. When they realize that a wolf is in the area, they are highly alerted, though. Anne is worried for Renee in particular, as they believe it’s a rogue wolf who is likely to attack them and who, at the very least, is a danger to their already slim livelihood. So Joseph sets out to catch the wolf.
I have rarely watched a film that left me with such a strong urge to drink something like this movie. And I actually do mean that as a compliment. It’s depressing and tense and highly effective.
Plot: Moe (Ben Caplan) is looking for somebody who can keep an eye on his niece Olga (Leila Sykes). Olga is mentally ill, has recently lost both her parents and is now holed up in a house on a remote island. When Moe hears about Isaac (Jonathan French), an acquaintaince who was recently released from the hospital and is in need of some cash, he asks him. Isaac is hesitant, he doesn’t feel like he is the right person for the job. But ultimately Moe wins him over. Once at the island, though, things get stranger and stranger for Isaac.
Oh well. Caveat was a bit of a mess, I’m afraid, quickly turning quite frustrating. Ultimately I wished that I had skipped this past-midnight screening and instead had gone to bed earlier.