Plot: Working as a companion to Mrs van Hopper (Ann Dowd) has brought the unnamed protagonist (Lily James) to Monte Carlo where Mrs van Hopper spies Maxim de Winter (Armie Hammer), whose somewhat tragic story precedes him: he is a widower and lives at the grand estate of Manderley, now all alone. When Mrs van Hopper falls ill, the protagonist and Maxim de Winter start to spend more time with each other and finally he asks her to marry him. But living in Manderley, where the shadow of Maxim’s deceased wife Rebecca hangs over everything and her housekeeper Mrs Danvers (Kristin Scott Thomas) makes sure it doesn’t leave, proves quite a challenge for them.
Rebecca is an okay adaptation of a really excellent novel. That squandered potential leaves a film that is decidedly meh, but very pretty.
Plot: In 1956, Ruth Bader Ginsburg (Felicity Jones) is one of only a handful female law students. But she’s ambitious and smart, has a supportive husband in Marty (Armie Hammer) and doesn’t let herself be discouraged. But sticking to her guns is only half the battle for her, and for the next years, Ruth has to fight for her place in the world of law and of women in the world in general over and over again.
On the Basis of Sex is an excellent film. Well made with a wonderful cast and politically outspoken. That’s how I like my movies.
Plot: Cassius (LaKeith Stanfield) lives with his girlfriend, the artist Detroit (Tessa Thompson), in his uncle Sergio’s (Terry Crews) garage. Money is tight and that doesn’t really change when Cassius starts a new job as a telemarketer. But success is just around the corner when Cassius discovers his white voice and uses it in his sales. At the same time though his co-worker Squeeze (Steve Yeun) is starting to raise concerns about the products they are selling.
Sorry to Bother You is a wild film, in the best sense: it takes you into entirely different directions and it has so much fun with exploring and experimenting, that it doesn’t matter in the slightest when things get a little messy. I was thoroughly charmed by pretty much everything about it.
Plot: Teenager Elio (Timothée Chalamet) spends the summer in Italy with his parents as every year. And as every year, they are joined by a research assistant who can work with Elio’s father – a professor (Michael Stuhlbarg). Elio isn’t too thrilled about the intrusion that costs him his room. But this year the student who shows up is Oliver (Armie Hammer) and Oliver has something about him. Elio realizes that he is in love with Oliver, but Oliver’s detached and sometimes outright brazen manner leaves little doubt that he doesn’t reciprocate the feelings.
Call Me By Your Name is an incredibly tender and soft film with an atmosphere that stayed with me even after the film had ended. Despite some weaknesses, there is something magical about it.
Bernie (Enzo Cilento) and his brother Stevo (Sam Riley) are meeting with IRA guys Chris (Cillian Murphy) and Frank (Michael Smiley) and their American contact Justine (Brie Larson). They are preparing for a weapons deal mediated by Ord (Armie Hammer) who got them in touch with South African arms dealer Vernon (Sharlto Copley) and his group – Martin (Babou Ceesay), Harry (Jack Reynor) and Gordon (Noah Taylor). But things quickly go sideways and turn very bloody.
Free Fire starts off strong enough, but after a while it becomes so repetitive, it loses all tempo and becomes nothing but dreary.
Art gallery owner Susan Morrow (Amy Adams) receives a package in the mail. It contains the draft of her ex-husband Edward Sheffield’s (Jake Gyllenhaal) new novel and the information that he is in town and would like to meet her. Susan hasn’t spoken to him in almost 20 years and she is surprised by the novel and the meeting, but she starts to read the novel that was apparently inspired by her. It tells the story of Tony Hastings (Jake Gyllenhaal) who goes on a roadtrip with his wife Laura (Isla Fisher) and daughter India (Ellie Bamber) – a roadtrip that turns violent when they get into trouble with another car and its passengers.
Nocturnal Animals is a highly polished film that tells a story that goes under the skin. It’s definitely not a film that lets go of you easily, even if not everything about it works without a hitch.
CIA Agent Napoleon Solo (Henry Cavill) is tasked with finding a scientist who had been working on nuclear technology and has been missing for many years. Now there are rumors that he is being used to create a superweapon. The only way Solo may be able to find him is through the scientist’s daughter, Gaby Teller (Alicia Vikander). Just as he approaches her, Solo realizes that the KGB had the same idea and sent Illya Kuryakin (Armie Hammer) after Gaby. They manage to escape – only to find themselves being forced to work together to prevent the nuclear weapon falling into the hands of a private organization.
The Man from U.N.C.L.E. was a thoroughly enjoyable, entertaining and stylish film. It wasn’t partiuclarly smart, but that was neither expected nor necessary in this case.
John Reid (Armie Hammer) is a lawyer by vocation. He believes in everything the law stands for. In his capacity as prosecutor, he’s accompanying the infamous murderer, cannibal and generally awful human being Butch Cavendish (William Fichtner) who was finally apprehended and is supposed to be hung in John’s hometown. Also on the transport is Tonto (Johnny Depp), a Comanche accused of nobody knows exactly what. When Cavendish manages to escape, it leads to the unlikely and very reluctant team-up of Tonto and John, who becomes The Lone Ranger.
Before going into the film, I only heard awful things about it. Starting with the casting of Johnny Depp as a Native American to the general dumbness of it. So my expectations weren’t high, but I was willing to give the film a try because I like Verbinski’s other stuff. But it turns out that all the terrible things were true.
Princess Snow White (Lily Collins) has been living imprisoned in her own castle ever since The Queen (Julia Roberts) took over after the death of The King. The Queen has been milking the country and is running out of funds for her lifestyle. When the young Prince Alcott (Armie Hammer) comes to her queendom, she thinks that she found a way out. It’s only too bad that Alcott falls in love with Snow White and that at the same time, Snow White’s political conscience awakens.
Mirror Mirror has the beautiful looks usual for a Tarsem Singh movie (the costumes… the freaking costumes!), but it also has the story-telling weaknesses and the quality generally wavers a lot. Nevertheless, fun was being had.
Plot: John Edgar Hoover (Leonardo DiCaprio) dreams of a bureau of invesitgations that is based on scientific principles and used against the bolshevik threat he sees for the country. He gets his chance to start such a bureau and with the help of his trusted secretary Helen Gandy (Naomi Watts) and his soon to be second in command/love of his life Clyde Tolson (Armie Hammer) he is soon very successful. But once risen to power, Edgar clings to it desperately, not caring much for concerns like legality.
I really liked this movie very much and nobody is as surprised about it as I am. I mean, a Clint Eastwood movie that’s not boring? How did that happen?