Plot: After his father’s death, David’s mother Clara (Morfydd Clark) got married to Mr Murdstone (Darren Boyd) who doesn’t really want anything to do with David (Jairaj Varsani). So at the first chance Murdstone and his sister Jane Murdstone (Gwendoline Christie) send David off to London where he is forced to work in a bottle factory and lives with the always-hounded-by-creditors Mr Micawber (Peter Capaldi). David grows up there in harsh circumstances, but when he hears that his mother died and he wasn’t even notified to attend the funeral, he has had enough. Grown by now, David (Dev Patel) makes his way to his aunt Betsy Trotwood (Tilda Swinton), hoping to find more luck there. But it’s only the beginning of his journey.
The Personal History of David Copperfield has an almost anarchic sense of humor and a wonderful energy that made it absolutely entertaining and just a blast.
Plot: Thanos (Josh Brolin) has reached the final stages of his plan: he will collect all of the Infinity Stones and with their power reshape the universe after his own ideas. The hunt for the stones makes him cross paths with the Avengers on Earth, as well as the Guardians and the Asgardian refugees in space, leading to them coming together in a desperate effort to stop him and his plans.
Avengers: Infinity War is the culmination of more than a decade of films. That alone makes it a momentous, if not to say monumental film. And it’s not bad per se, but it does feel like a step down from the recent absolute highlights that were Black Panther and Thor: Ragnarok.
Plot: Biologist Lena (Natalie Portman) joins a mission into Area X, an area where nature shows strange behavior that nobody is able to explain, after her husband (Oscar Isaac) went missing there. The expedition, led by Dr Ventress (Jennifer Jason Leigh), is supposed to find out more. Anything they can, really. The five women – Lena, Dr Ventress, Josie (Tessa Thompson), Anya (Gina Rodriguez) and Cass (Tuva Novotny) – set off and are soon faced with phenomena that are even stranger than anticipated.
I was very excited about Annihilation, having recently read the books and loved them and having mostly enjoyed Garland’s previous films. But I have to admit that Annihilation was a bit of a let-down for me. It might have been different if I hadn’t read the books, but I’m not sure.
2057. The sun is dying and the only solution humanity has found is to send a team of astronauts there to reignite it with a fission bomb or else find all of life on earth doomed. The first mission, Icarus-I, to do just that has already failed, now a new team, Icarus-II, is on its way. When they pick up the distress signal of the Icarus-I, they decide to pick up the bomb that the ship has aboard, as a failsafe for their own mission. But that bomb may come at a higher price than they expected.
When I watched Sunshine for the first time, I remember not being particularly taken with it. But it was one of those films where I started getting doubts about my own judgement and that made me curious to check it out again almost 10 years later. And in this case, it definitely paid off, although I still didn’t fall head over heels for it, I did appreciate it much more than the last time.
Stephen Strange (Benedict Cumberbatch) is a great neurosurgeon, and he knows it. But after a car accident that leaves him severely injured, Strange loses control of his hands – a skill absolutely necessary for his delicate job. He tries everything he can to get back to his former abilities. He is so desperate that when he hears of Jonathan Pangborn’s (Benjamin Bratt) apparently miraculous recovery, he asks him for the secret to it. Pangborn tells him of an temple in Nepal where they know about magic. Strange makes his way there, hoping to regain what he lost – and more.
If you manage to disregard the blatant racism in the film and its casting (and I can understand if you can’t manage this), Doctor Strange is an entertaining film that offers a lot of fun.
Mark Watney (Matt Damon) is one of five astronauts who come to Mars on a rather routine mission. But then things start going wrong and they have to leave – only that Mark gets injured and to his colleagues he looks like he’s dead. With a heavy heart, they decide to leave without him. But Mark survives miraculously. Now he’s alone. On Mars. With very limited supplies. And a broken communication system. And he only has himself to make his supplies last long enough so that he may be rescued.
Since I really loved the novel the film is based on and the previews I saw for the movie looked great, my expectations for the Martian were pretty high. So when I say that the movie totally fulfilled my expectations, you know that this is high praise indeed.
After scientists find several unrelated cave paintings and murals that all depict the same star constellation, a mission is sent out to go to the planet and find out what’s there. And at first, the Promethes mission seems a full success – much to the joy to the scientist team of Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green). But the android David (Michael Fassbender) seems to have his own mission.
This is a pretty, pretty movie with some pretty, pretty people in it. And the cast really does try their best. But all their talent and all the pretty in the world can’t make up for the sheer stupidity of this film.
Plot: Aung San Suu Kyi (Michelle Yeoh) thought she had left Burma behind. She built herself a life in the UK with her husband Michael Aris (David Thewlis) and her two sons Kim (Jonathan Raggett) and Alexander (Jonathan Woodhouse). But then her mother falls ill and she returns to Burma to take care of her. And suddenly Suu’s past catches up with her and she finds herself in the middle of the political change towards democracy in the country.
Aung San Suu Kyi is definitely a fascinating woman and Michelle Yeoh delivers a wonderful performance, but this movie has very many issues that pretty much eclipse those two facts.