Veronica Mars (2014)

Veronica Mars
Director: Rob Thomas
Writer: Rob Thomas, Diane Ruggiero-Wright
Sequel to: the Veronica Mars TV show
Cast: Kristen Bell, Jason Dohring, Enrico Colantoni, Chris Lowell, Percy Daggs III, Tina Majorino, Krysten Ritter, Martin Starr, Gaby Hoffmann, Andrea Estella, Jerry O’Connell, Francis Capra, Ryan Hansen
Seen on: 18.10.2018
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Plot:
Veronica (Kristen Bell) made it out of Neptune, California. She is now a lawyer in New York and in a relationship with Piz (Chris Lowell). But when her high school friend slash big love Logan (Jason Dohring) calls and asks for her help, Veronica returns. Logan’s girlfriend Bonnie (Andrea Estella) and Logan is being accused of the crime. Not wanting to get into deep, Veronica just agrees to help Logan find a good lawyer, but keeping the distance is easier said than done.

Veronica Mars (the movie) does offer some closure that was lacking in Veronica Mars (the TV show), but other than that, it doesn’t really have much to offer. For fans of the series, it will be a must see, for everybody else it’s definitely not.

The film poster showing Veronica Mars (Kristen Bell) holding a huge camera.
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Complete Unknown (2016)

Complete Unknown
Director: Joshua Marston
Writer: Joshua Marston, Julian Sheppard
Cast: Rachel WeiszMichael ShannonAzita GhanizadaKathy BatesDanny GloverMichael ChernusChris Lowell
Seen on: 26.4.2017

Plot:
Tom (Michael Shannon) and his wife Ramina (Azita Ghanizada) expect guests for dinner. Ramina is a jewelry designer who has recently been accepted into a design program across the country. Tom is ambivalent about moving and leaving his work behind. But before they can fight about this (again), their guests arrive and interrupt. Among them is Tom’s co-worker Clyde (Michael Chernus) who brought a date – the lovely Alice (Rachel Weisz). Michael is sure he knows Alice, but refers to her as Jenny. Her sudden re-appearance in Tom’s life throws him for a loop.

From the description I expected Complete Unknown to be an entirely different film, a thriller, something dramatic, dark and tension-filled. Instead I got a dialogue-driven rumination on identity. It wasn’t bad by a long-shot, but I did feel a little disappointed by that as the turn to darkness never came. Fortunately not for long, though.

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