Content Note: sexualized violence, sexism, homomisia and racism
Plot: Mia’s father was an engineer and he designed and built the Megaride, a huge ship with the most novel of technologies that lies in the port of Naples. But he was killed, leaving Mia (Mariacarla Norall) to grow up with her evil stepmother (Maria Pia Calzone) and her daughters. Growing up mostly ignored by everybody but her father’s bodyguard (Alessandro Gassmann), now that Mia is a teenager, her stepmother’s lover and the boss of Megaride Salvatore (Massimiliano Gallo) starts to take more of an interest in her.
Cinderella the Cat is an animation film for adults. And it appears that to make it perfectly clear that this isn’t a film for children, despite being animated and based on a fairy tale, the filmmakers decided that it should definitely have sexualized violence, sexism, homomisia and racism. No, thank you.
After her mother’s death, Ash and her father were very close until he brought home a new wife. When he died shortly thereafter, and Ash was left alone with her stepmother, things turned for the worst. Now, with a stepmother prone to violent outbursts, the only solace Ash can find is in the fairy tale books she reads. It’s no surprise that she starts to wish, fairies would come and take her away. What is more surprising is that an actual fairy prince, Sidhean, seems to hear her wishes and comes to bring Ash some solace. But then she meets Kaisa, a beautiful, strong huntress, and her wishes start changing.
Ash is a beautiful, queer retelling of Cinderella with the dangerous kind of fairies – what’s not to love about that? I don’t know, because I sure did.
After her mother’s (Hayley Atwell) death, Ella’s (Lily James) father (Ben Chaplin) gets married again. Cinderella’s stepmother (Cate Blanchett) and her two daughters (Sophie McShera, Holliday Grainger) move in and change Ella’s life forever. When her father dies a short time later, Ella becomes Cinderella, a servant to her stepmother and stepsisters. When the Prince (Richard Madden) invites all unmarried women to a ball to choose his wife, Cinderella would like to go as well, but needs the help of her fairy godmother (Helena Bonham Carter) to do so. But there are still some difficulties to be faced until the happy end.
Cinderella brings the aesthetic of the animated Disney version to life and adds its own brand of humor. It is a little long at times and the script isn’t particularly good, but it’s enjoyable.