After the death of Superman (Henry Cavill) Bruce Wayne aka Batman (Ben Affleck) tries to put together a team of superheroes. Diana aka Wonder Woman (Gal Gadot) is already on board, but the recruitment of other team members is more difficult. Arthur Curry aka Aquaman (Jason Momoa) isn’t interested, Barry Allen aka The Flash (Ezra Miller) is very willing but also not easily pinned down and Victor Stone aka Cyborg (Ray Fisher) might even be dead. But when Steppenwolf (Ciarán Hinds) attacks Diana’s home Themyscira to acquire an artefact, gathering forces becomes an even more pressing issues.
I expected bad things from Justice League and was pleasantly surprised by what we got. That’s not to say that Justice League is a good film overall, but at least it has its moments.
Diana (Gal Gadot) grew up on the isolated island Themyscira populated only by women. But not any women: Amazons, warriors with an amazing lifespan from a time where gods still walked the earth regularly. Taught by her mother, Queen Hippolyta (Connie Nielsen) and her aunt Antiope (Robin Wright), commander of the guard, Diana grows up with a strong sense of right and wrong. So when the world outside literally crashes into hers in the shape of World War II pilot Steve Trevor (Chris Pine), Diana is sure she is meant to help to end the war, even if it means going against the wishes of her mother.
I maybe wasn’t quite as enthusiastic about Wonder Woman as I would have liked to be (as it’s a female superhero in a film directed by a woman), but I did enjoy it a lot. Definitely the best of the DC movies so far.
The Wolf Corporation are planning their big entry into the anime porn market. Diane (Connie Nielsen), who works for Wolf, “insinuates” herself with quite hard measures into the negotiations. Together with her colleague Hervé (Charles Berling) she flies to Tokyo to close the deal. But we soon discover that Diane not only works for Wolf, she’s also on the payroll of a competitor. But in the world of corporate espionage, it’s never quite clear who works for whom.
The film starts out fine, but after the first half it slowly spins out of control and into meaninglessness. The film tries to be profound but ultimately confuses the audience too much to achieve much of anything. At least the cinematography and the production design were very nice.