Valerian (Dane DeHaan) and Laureline (Care Delevingne) are operatives, charged with maintaining peace across the universe. A new mission brings them into possession of a converter, the last creature of its kind. But they can’t expect to be the only ones who want that converter. Their mission brings them to Alpha, a city made for all kinds of species that harbors a secret in its heart.
The fact that this film thought that it would be the right move to take the comic Valerian and Laureline and transform it into Valerian alone, is already pretty indicative of the decision making in the entire film: it might look cool at first glance, but it’s short-sighted, stupid and offensive.
Lockhart (Dane DeHaan) works for a company in trouble. They need their CEO Pembroke (Harry Groener), but he has been unreachable in a retreat in the Swiss mountains for a long time, so they send Lockhart there to get him. Once Lockhart arrives there, he is involved in an accident even before he gets to see Pembroke. His broken leg traps him at the retreat and he realizes that something strange is going there. The director Volmer (Jason Isaacs) may be hiding something. And what’s the deal with Hannah (Mia Goth), the only young person there who has spent basically her entire life at the retreat?
A Cure for Wellness is a clusterfuck of epic proportions. It’s overly long, makes no sense and is incredibly sexist, racist and ableist to boot. It’s pretty but that’s all it has going for it.
Plot: Dennis Stock (Robert Pattinson) is a young photographer who is always looking for a story. When he meets actor James Dean (Dane DeHaan) just before the premiere of his first big film East of Eden, Dennis is sure that he is on to something. He convinces his boss John Morris (Joel Edgerton) to go along and starts trailing Jimmy. Jimmy is not an easy person and Dennis is desperate for things to work out somehow. Slowly they get closer though.
Life is one of the most static, boring and long [I’m trying very hard not to make a “lifeless” pun] films I have ever seen. It was so intensely boring that I was absolutely uncomfortable while watching.
Plot: Allen Ginsberg (Daniel Radcliffe) gets a place of university and isn’t unhappy to get away from home, where his mentally ill mother (Jennifer Jason Leigh) makes his life difficult, the relationship with his father (David Cross) is strained. At university, Allen meets Lucien Carr (Dane DeHaan) and is immediately fascinated by him and his reckless lifestyle. Lucien introduces him to David Kammerer (Michael C. Hall), William S. Burroughs (Ben Foster), Jack Kerouac (Jack Huston) and Jack’s wife Edie Parker (Elizabeth Olsen). Allen realizes that something strange is going on between Lucien and David, but is swept up in the anarchistic energy that envelops Lucien, William, Jack and him. But the harmonious and fun beginnings soon give way to difficulties and tensions.
I am still a little undecided about this film. The cast is really good, the story is interesting and it’s all packaged into a film that is mostly fine but lacks something I can’t put my finger on.
Peter (Andrew Garfield) enjoys his life, just having graduated from high school and dating the girl of his dreams, Gwen (Emma Stone). Oh, and of course fighting crime as Spider-Man. But the question of why his parents abandoned him still haunts Peter and his investigation only makes things more confusing. Plus, there is something going on at Oscorp that seems directly related.
The Amazing Spider-Man 2 is an extremely entertaining, funny film – but one that does have some major flaws. That makes the film a weird mixture of enjoyable and disappointing, though I’m leaning more towards enjoyable.
Luke (Ryan Gosling) is a motorcycle stunt driver. But when he finds out that Romina (Eva Mendes) – with whom he had a fling a year earlier – had his son, he decides to give up his job and stay near them and take care of them. But since he lacks the resources to do so properly, he starts to rob banks which puts him right in the path of Avery (Bradley Cooper), a young and ambitious police man.
I loved Blue Valentine and the cast of this movie is pretty damn good, so I expected big things. Unfortunately, I was sorely disappointed. The Place Beyond the Pines is boring, clichéd and way too long.
In the middle of the US American civil war, Abraham Lincoln (Daniel Day-Lewis) got reelected for his second term of presidency. And he uses that position to make another push to finally do away with slavery in the US for good by adding an amendment to the constitution. But he faces a lot of opposition, not only from the Democrats, but also from within his own Republican party. As the war draws closer to its end, Lincoln and his staff have to work really hard to pass the amendment in time.
Oh boy, Lincoln is one hell of a boring movie. It’s really long, and it feels even longer. The cast is generally fantastic, but the script is unfocused and Steven Spielberg is really off his game in this one.
The bubbly Diane (Juno Temple) runs into the butch Jack (Riley Keough) and the two of them connect instantly. After a night of hanging out together and kissing (that is only interrrupted by Diane’s nose bleeding), they start to see more of each other but things are not that easy. Not only is Diane about to leave the country, there is some kind of monster that keeps appearing whenever Diane and Jack are close.
Jack and Diane is a movie that, unfortunately, went nowhere. Instead it got lost in its own metaphor. The cast is good and there could have been much made from it, but it doesn’t seem like Bradley Rust Gray knew what he actually wanted it to be.
In the depression era, the Bondurant brothers, Jack (Shia LaBeouf), Forrest (Tom Hardy) and Howard (Jason Clarke), are successful bootleggers who have an understanding with the local police and a very good reputation. But then a new deputy – Charlie Rakes (Guy Pearce) – enters the scene. When Rakes doesn’t get what he wants, the pressure rises for the Bondurants. At the same time Jack, the youngest and softest, desperately wants to prove his worth and starts business with the mobster Floyd Banner (Gary Oldman).
Lawless was really great. Basically my only point of contention is that Gary Oldman was in it for a few minutes only (you can never have enough Gary Oldman).
Andrew (Dane DeHaan) comes from a difficult family situation, with an abusive father (Michael Kelly) and a dying mother, and his only real social contact is his cousin Matt (Alex Russell). But other than that, he seems to be a rather normal teenager. That is, until he, Matt and Matt’s friend Steve (Michael B. Jordan) stumble upon a mysterious thing in a hole in the ground. Shortly afterwards, they discover that they develop telekinetic powers. And since teenagers are, well, teenagers, things soon get out of hand.
Found footage movies can go so wrong so quickly and I usually don’t like them a whole lot. Fortunately, Chronicle doesn’t fall into that category. Tough the ending gets a little out of hand, it is a really cool film.