K (Ryan Gosling) is a replicant who works as a blade runner – a section of the police tasked with hunting down rogue replicants and killing them. During one of those hunts, K finds evidence that there was a replicant who managed to reproduce sexually: she became pregnant and had a child which was believed to be impossible. K’s superior officer Joshi (Robin Wright) fears the repercussions if that fact became wide knowledge and tells K to find the child and kill it. This leads K to question his own past as well.
Blade Runner 2049 was so incredibly boring that I could barely stand it. Since it’s also racist and sexist, it probably would have been better if it hadn’t been made at all.
Twelve alien spaceships appear all around earth. They don’t seem to do much, but may be trying to establish contact. To try and figure out their language, linguist Louise Banks (Amy Adams) is contacted and contracted. In a team together with theoretical physicist Ian Donnelly (Jeremy Renner) and others, and in cooperation with teams around the world, they try to figure out what the creatures could want – and if it’s peace or war they have in mind.
Arrival is the rare breed of science fiction that actually takes Science As It Is Properly Done Right Now seriously and obviously admires and respects it, which is absolutely refreshing as a lot of SciFi today feels mostly like militarized power fantasies with a bit of technobabble. For that alone, I had to like the film, but there are also the cinematography, the soundtrack and the characters to really make me love it.
After an assignment that ends pretty badly, FBI agent Kate (Emily Blunt) is recruited by CIA operative Matt Graver (Josh Brolin) for a joined task force as Kate’s operation brought her in contact with a Mexican drug cartell that Graver has been investigating for years. Together with informant/operative Alejandro (Benicio Del Toro), they enter Mexico to hunt down the cartell’s head. But it seems that there is more to the story and Kate finds herself increasingly puzzled.
Sicario seems to be on a mission: to find out how boring you can make a movie about murder, human trafficking and shady governments. They went far in their quest and I can now tell you: it can be very boring indeed.
It’s Thanksgiving and the Dovers are celebrating with their friends and neighbors, the Birchs. But when the little daughters of both families suddenly disappear, the festivities are quickly interrupted. As Detective Loki (Jake Gyllenhaal) is called, Keller Dover (Hugh Jackman) quickly loses his temper. And when suspect Alex Jones (Paul Dano) is apprehended to be released soon afterwards, Keller decides to take justice into his own hands.
Prisoners has a rather similar theme as Big Bad Wolves, so it’s hard not to compare the two and in that comparison, Prisoners stays a bit behind – but that’s just because Big Bad Wolves was that exceptional. Prisoners is, in fact, a really good movie.