Nora (Marie Leuenberger) is a young housewife and mother, happy with her husband Hans (Maximilian Simonischek). Things could go on forever like they have and it feels like they did. But even the remotest Swiss town will be touched by the 68 movement. For Nora it comes in the shape of the discussion about the right for women to vote. And she finds that in 1971, this really shouldn’t be a discussion anymore, but a reality. As she starts to campaign in her village, though, she realizes that far from everybody shares her conviction.
Die göttliche Ordnung is a lighthearted, feminist comedy that manages to balance serious politics with a sense of humor. It’s enjoyable, though maybe a little too well behaved.
Justine (Garance Marillier) is excited: she finally gets to follow her sister Alexia (Ella Rumpf) to university to study veterinary medicine. But the Alexia Justine meets there is not the sister she remembers, and she’s definitely no help with the hazing rituals that mean that strict vegetarian Justine is forced to eat meat. Eating meat has unforeseen consequences for Justine and starts a transformation process for her.
Grave had me hooked from the get-go and I found it extremely engaging, even when not everything about it worked for me. But it’s a strong film, especially for a first feature, and definitely worth seeing.
Vanilla (Maria Dagus) failed the police academy entrance exam, so instead she starts training as a security. And then she meets Tiger (Ella Rumpf). Tiger sees the potential of Vanilla’s uniform and starts whittling away at her inhibitions. But as Vanilla loses herself in the exhilarating life Tiger seems to promise, Tiger realizes that maybe some lines should not be crossed. But will Vanilla let herself be put on a leash again?
The only time I could catch Tiger Girl was at a late night showing, so I re-considered watching it at all about 50 times. But in the end I went for it – and I’m more than happy that I did. It’s an absolutely amazing film with two unruly characters who I loved watching.