Tommy (Brian Cox) and his son Austin (Emile Hirsch) work together as coroners. One night, they get the body of a young woman (Olwen Catherine Kelly) that was just found and suspected to be a homicide victim, although there was no clear indication for the cause of her death. As Tommy and Austin get to work quickly, so the police can face the press with an update in the morning, they realize that something is very strange with that body indeed.
The Autopsy of Jane Doe was tense, effective and well-acted – and had such a stupid ending and was so infuriating in its depiction of women that it almost ruined the film entirely for me. But up until those last 20 minutes, I really enjoyed it.
Chris (Emile Hirsch) is in trouble and needs money desperately. So he hatches the plan to have his mother killed to cash in on the insurance. He heard about a cop who can be hired for assassinations – Killer Joe (Matthew McConaughey) – and soon his father Ansel (Thomas Haden Church) and stepmother Sharla (Gina Gershon) are also on board. When they can’t pay Joe’s downpayment, he asks for Chris’ sister Dottie (Juno Temple) as a retainer instead.
Killer Joe is a tense, surprisingly violent film with a good cast, but the ending was pretty lackluster.
Chon (Taylor Kitsch) and Ben (Aaron Johnson) are best friends and successful drug dealers. They live with O (Blake Lively), the girlfriend of them both. They just received an off for a take-over/partnership from Elena (Salma Hayek), a drug baron from Mexico who is struggling a bit in her position of power. When Chon and Ben don’t plan on taking her up on the offer, Elena has her henchman Lado (Benicio Del Toro) kidnap O. And Ben and Chon will do anything to get her back.
Savages is one of the dumbest movies I have ever seen. And I really do mean ever, fully aware that I have seen Troll 2. It squanders a cast that is not that bad on a script written by people who should be forbidden from so much as looking at a pen or keyboard ever again in the future.
Matthew (Emile Hirsch) is a senior in high school and just applied for a scholarship to Brown university (given to students with special moral fiber). He’s rather geeky, though his best friends Eli (Chris Marquette) and Klitz (Paul Dano) are even geekier. But that changes when Danielle (Elisha Cuthbert) moves in next door. Matthew falls hard for Danielle and isn’t even deterred when he finds out that she’s a porn star. But she quickly turns his whole life upside down.
I was pretty sure that I would hate this film, Manic Pixie Dream Girl and all, but in the end it really wasn’t as bad as I expected it to be. Though that doesn’t make it any good, either.
Sean (Emile Hirsch) and Ben (Max Minghella) come to Russia to introduce their exciting new software. But as soon as they land, things start to go wrong, their software gets stolen by the arrogant Skyler (Joel Kinnaman) and they realize that they came to Russia for nothing at all. So they head to a bar, where they meet the tourists Natalie (Olivia Thirlby) and Anne (Rachael Taylor). But before the night is over, a strange rain of light starts to hit Moscow and they quickly discover that that is only the beginning of the alien invasion and their fight for survival.
The levels of stupid people manage to cram into one film continue to astound me – and The Darkest Hour really is the new high on that count. Unfortunately, it is not very entertaining with it.
[I hate-hate-hate those “cyrillic” movie posters. You know what it says there, if you translate the cyrillic to the roman alphabet? DDYAKEST. Bloody hell. Though admittedly, it is a fair representation of the film.]
Plot: Chris McCandless (Emile Hirsch) has just finished university and decides to drop out. He is fed up with the dishonesty of the lives around him, his parents’ (Marcia Gay Harden, William Hurt) loveless marriage, the unfairness of capitalism. So he packs his things and takes off on a cross-country tour of the USA. Without any money and avoiding any contact with his parents and sister (Jena Malone), he sets off with the big goal to go to Alaska, encountering various people along the way.
Chris McCandless story is interesting and touching and Sean Penn found himself an amazing cast to tell it. Unfortunately he is not the world’s greatest director and the cinematography could have been better, too (he’s very lucky that Emile Hirsch is as pretty as he is, because that camera spends an inordinate amount of time shoved in his face). But despite that, it is still a very good film to watch.
Taking Woodstock is based on the real life story of Elliot Tiber (Demetri Martin), an out of luck interior designer who has to move back to his parents’ motel and of how he gets the Woodstock festival to be in his small town after Woodstock (and a neughbouring village) both pull the permits for it to be held there.
Taking Woodstock is a funny and heartfelt movie but most of all, a movie that manages to capture the spirit of the time (or at least it seems that way to someone who wasn’t alive then). It’s a captivating coming of age story set in slightly crazy but definitely special times that is told with a lot of humour and respect. Loved it.
The movie chronicles Harvey Milk’s (Sean Penn) life from the point where he meets Scott (James Franco) and moves to San Francisco aka the start of his political life to his assassination by Dan White (Josh Brolin) 8 years later.
The movie has a very strong cast, but unfortunately the screenplay is weak in some parts, giving the actors little to work with. [While I think Dustin Lance Black is really cute and his Oscar speech was great and go gay community!… I don’t hink that he deserved it. I’m really sorry to say that… Really. But it’s the truth.]