Oskar’s (Thomas Horn) father (Tom Hanks) recently died in the 9/11 attack. Oskar has a hard time coping with it, when he stumbles upon a mysterious key in an envelope with the name “Black” on it in his father’s closet. Oskar decides that he has to find out more and the only logical way to go about it is to talk to every person called Black in New York. So he takes the phone book and starts to visit all of them.
The film is one of the most emotionally manipulative movies I have ever seen. Ever. And I still would have liked it a whole lot, if I hadn’t read the book. But in comparison, the film just leaves a small taste of disappointment.
At the end of World War I, a baby is born – but it’s the ugliest baby anyone has ever seen. He looks like an old man. Disgusted and shocked by his wife’s death, the father [Jason Flemyng] abandons the baby on the steps of an old persons’ home, where it is found by the motherly caretaker Queenie [Taraji P. Henson], who takes him in and calls him Benjamin.
Benjamin [Brad Pitt] ages in reverse. He was born an old man, but with each year that passes, he gets younger and younger. As a child, he meets Daisy [Cate Blanchett], the love of his life who will continue to be the connecting thread in his restless existence.
What a sweeping movie. There’s absolutely everything in it. It’s wonderfully done. It could have been a little shorter though. But it’s definitely a movie you should see.