Schlechte Partie aka Mädchen ohne Mitgift [Without a Dowry] Director: Alvis Hermanis Writer: Alexander Ostrovsky Cast: Dörte Lyssewski, Marie-Luise Stockinger, Peter Simonischek, Martin Reinke, Michael Maertens, Nicholas Ofczarek, Fabian Krüger, Hermann Scheidleder, Hans Dieter Knebel, Christoph Kohlbacher, Peta Klotzberg Seen on: 4.2.2018
Plot: Larissa (Marie-Luise Stockinger) is beautiful and if she had any dowry, she would surely be able to choose her suitor. Unfortunately she doesn’t. Karandyschew (Michael Maertens) wants to marry her anyway. But then Paratow (Nicholas Ofczarek) shows up. He and Larissa used to be engaged until Paratow broke it off. Larissa is stull very much in love with him. Now that he’s back, she gets her hopes up once more. But recently broke Paratow is set to marry a rich woman the next day. That doesn’t mean he can’t have a little fun with Larissa, though.
Schlechte Partie looks lush, but that’s about the only really good thing about it. It’s too long, too male and too tame.
Director: Alvis Hermanis
Writer: Nikolai Gogol
Cast: Michael Maertens, Maria Happel, Dörte Lyssewski, Fabian Krüger, Oliver Stokowski, Hermann Scheidleder, Dirk Nocker, Johann Adam Oest
Seen on: 26.12.2015
The Mayor (Michael Maertens) of a small town has heard that a government inspector just arrived incognito in his town. He informs the most important men in his town, causing quite a stir among all of them, since neither of them really is without blame in their departments. When they find out that a stranger is staying at the inn, they decide that it must be the inspector and promptly start to shower him in gifts. The stranger – Chlestakov (Fabian Krüger) – is young and poor and doesn’t really know what prompts his good luck, but he’s determined to use it as long as it’s given.
There is a lot going on in this production of Der Revisor, from fake fat to actual live chickens on stage. It was a little too much for my taste, although the parts themselves were really good.
Rosie Meran (Sibylle Brunner) doesn’t necessarily lead a healthy life: she drinks too much, she smokes and she doesn’t stop even after a stroke. She also refuses any kind of help, particularly from her daughter Sophie (Judith Hofmann) with whom she fights more than anything else. Said stroke does bring her son Lorenz (Fabian Krüger) back from Berlin to his Swiss hometown. Lorenz is an author, writing mostly autobiographically inspired novels about being gay, but currently stuck in a writer’s block. Sophie is only too glad to have him take his share of the burden that their mother is to her, while Lorenz, who so far has avoided all kinds of commitments as much as he can, is doubtful how much of a help he can actually be.
Rosie has great characters in a complex web of relationships and a rather black sense of humor – which are some of my favorite things when it comes to films. That said, it does have weaknesses as well, even if the strengths outweigh them.
Erik (Joachim Meyerhoff) just inherited the family house and he and his wife Anna (Regina Fritsch) and their daughter Freja (Elisa Plüss) are about to move in. But they don’t want to move in alone. Instead they want to build a commune. So they find Ole (Tilo Nest), the couple Steffen (Dietmar König) and Ditte (Alexandra Henkel), Mona (Dorothee Hartinger) and Virgil (Fabian Krüger) to move in with them. And this works rather well until Erik meets Emma (Adina Vetter) after a few years and falls in love with her.
I very much enjoyed this play despite a few weaknesses that it has. I liked the stage design, the cast was really good and even though the story doesn’t exactly cover new ground it is still very engaging.