Plot: After a brutal break-up, Sloane (Emma Roberts) is alone for Christmas, a fact that her family will never let her forget, trying to set her up anyway they can. When Sloane’s more free-spirited aunt Susan (Kristin Chenoweth) suggest that she should just get herself a holidate, a guy to keep her company during the holiday parties, to escape the hassle, Sloane is hesitant at first. But then she meets Jackson (Luke Bracey) who is equally fed up with dating around the holidays. They agree to try holidating for New Year’s, and since it works out rather well, they agree to continue until they have something better. But maybe there is nothing better for them than each other.
Holidate is a cute film with a few good moments, but both Sloane and Jackson remained a little too bland to make the film really memorable.
Plot: Maria Altmann (Helen Mirren/Tatiana Maslany) had to flee Austria during the Second World War because she’s Jewish, and has never returned there since she was exiled to the USA and lost most of her family to the Nazis. But after the death of her sister, Maria realizes that she has the responsibility to guard her family’s memories. And part of those memories is the painting of her aunt Adele (Antje Traue), painted by Gustav Klimt (Moritz Bleibtreu), that the Nazsi took from her home and that is now hanging in a federal Austrian museum. As the Austrian government just started hearing restitution claims, Maria asks lawyer Randol Schoenberg (Ryan Reynolds) for help with recovering that painting. They even travel to Austria together, where they meet journalist Hubertus Czernin (Daniel Brühl) who warns them that the Austrian government won’t be cooperative. That proves to be right and Maria and Randy have to dig in for a long fight.
After I read the first reviews, I didn’t expect Woman in Gold to be any good. But I was pleasantly surprised: it’s an engaging and well-made film that is only marred by the German used in the film.
Melanie (Saoirse Ronan) is one of the few remaining humans who don’t have a “Soul” yet – a parasitic alien life form who took over earth and the human bodies. But then she’s captured and Wanderer is implanted into her. But somehow Melanie’s spirit survives this. Fueled by worry about her brother Jamie (Chandler Canterbury) and her boyfriend Jared (Max Irons) she starts to fight Wanderer who is trying to mine her memories to find the last humans for the Seeker (Diane Kruger).
Much as with Olympus Has Fallen, I went into this film with extremely low expectations and armed with alcohol (this time, we didn’t run out halfway through) and I swear that this is the only way to make this film even slightly bearable. But if you’re drunk enough, it does become extremely entertaining.
Over 80 years after the Titanic has sunk, Brock Lovett (Bill Paxton) is sifting through the wreck, looking for a diamond that was lost with the ship. But the closest he ever got to it was when he found a drawing of a girl with that diamond around her neck. And then that same girl, Rose – by now an old woman (Gloria Stuart) – gives him a call and comes to their ship to tell him about what happened on the Titanic: how the young, rich Rose (Kate Winslet) fell in love with poor artist Jack (Leonardo DiCaprio) and how it came to the sinking of the Titanic.
Of course I saw Titanic when it came out. I was even one of the people who saw it in the cinema twice (not because I was so in love with Leo – in fact, I thought Bill Paxton was way more attractive – but because I had promised two different friends that I’d go with them and couldn’t manage to get them to go on the same day. The scheduling conflicts of the 13-year-olds). And I even saw it a couple of times since (though not in the last ten years or so). But until I saw it in the cinema again this time round, I never realized that Titanic is actually a beautiful, if kitschy and excellent movie.