Plot: After a promotion that his superior feels was actually unearned, Captain John Boyd (Guy Pearce) is reassigned to Fort Spencer, middle of nowhere. The fort is small and there are only a handful of soldiers posted there. Soon after his arrival, a man (Robert Carlyle) shows up at the fort. He is in bad condition and once he finds a little strength, he starts telling them of his party who turned to cannibalism to survive. The soldiers in the fort know they have to do something about them.
Ravenous had been on my watchlist for a very long time and while I didn’t love it, it was really good. I’m glad I finally got around to it.
Recently divorced Danny (Kevin Corrigan) doesn’t know what to do with the sudden wealth he just inherited surprisingly. But he knows that he wants things to change. So he approaches Trevor (Guy Pearce), who runs a fitness studio, looking for a personal trainer. Trevor’s most successful personal trainer is Kat (Cobie Smulders) who likes to disappear in her work. Trevor is initially hesitant to send Kat to Danny because he gets a weird vibe of Danny, but Kat insists anyway. Danny’s egocentric indecisiveness quickly upends both Trevor’s and Kat’s lives.
Results starts off well enough, but loses its momentum in the middle and then veers off into a direction I just couldn’t go along with, ending on a very sour note.
After the events in The Avengers, Tony Stark (Robert Downey Jr.) is at least as shook up as his entire worldview. He tries to deal with things by tinkering around with his Iron Man suits but he doesn’t really get anywhere with it. In the meantime, a terrorist keeps setting off bombs and they aren’t close to finding him yet. In a bad mood, Tony challenges him and gives him his home address. And suddenly things get very personal indeed.
Iron Man 3 was very enjoyable and entertaining and far from being as dark as the trailer made it seem. I did have a couple of issues with it, but mostly it’s a wonderful continuation of the series.
In the depression era, the Bondurant brothers, Jack (Shia LaBeouf), Forrest (Tom Hardy) and Howard (Jason Clarke), are successful bootleggers who have an understanding with the local police and a very good reputation. But then a new deputy – Charlie Rakes (Guy Pearce) – enters the scene. When Rakes doesn’t get what he wants, the pressure rises for the Bondurants. At the same time Jack, the youngest and softest, desperately wants to prove his worth and starts business with the mobster Floyd Banner (Gary Oldman).
Lawless was really great. Basically my only point of contention is that Gary Oldman was in it for a few minutes only (you can never have enough Gary Oldman).
After scientists find several unrelated cave paintings and murals that all depict the same star constellation, a mission is sent out to go to the planet and find out what’s there. And at first, the Promethes mission seems a full success – much to the joy to the scientist team of Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green). But the android David (Michael Fassbender) seems to have his own mission.
This is a pretty, pretty movie with some pretty, pretty people in it. And the cast really does try their best. But all their talent and all the pretty in the world can’t make up for the sheer stupidity of this film.
CIA agent Snow (Guy Pearce) is in deep shit. He’s (wrongly) accused of killing his partner and selling state secrets and quickly sentenced to 30 years in the new prison space station that is just about to be approved from the pilot project phase. But before he can actually be sent there, there is a prison riot – right during a visit of the president’s daughter Emilie (Maggie Grace) there. And so, Snow gets a chance to prove himself: if he saves Emilie, he can go free.
Lockout delivers pretty much exactly what you expect it to: crazy villains, explosions, tough guy talk and so much fun. Plus, there are so many gorgeous tattoos walking around in this film, it’s practically tattoo porn. The ending might be a teensiest bit tied up too neatly, but really, who cares about that?
Alex (Guy Pearce) and Kim (Katie Holmes) have acquired an old house which they’re currently renovating to sell. When Alex’ daughter Sally (Bailee Madison) moves in with them in said house, she discovers a cellar that was bricked up before. Excited, Alex and Kim open it up. Little do they know that there is something living in the cellar that has only waited to be released.
Don’t Be Afraid of the Dark is a genuinely scary, very classic horror movie. While the rest of the film is good, it’s the production and set design that is really great.
After the death of his mother, J (James Frecheville) moves in with his – until then – estranged grandmother Janine, also called Smurf (Jacki Weaver). Smurf lives with her sons Darren (Luke Ford), Pope (Ben Mendelsohn) and Craig (Sullivan Stapleton). The three of them, and Pope’s best friend Baz (Joel Edgerton), are not really good guys: Pope is an armed robber, Craig a drug dealer. J gets slowly drawn into the whole story, despite the investigating police officer Leckie’s (Guy Pearce) to help him (and have him help arrest his uncles).
Animal Kingdom is a very tight movie.The story is realistic, well-paced and interesting but the really great part about it are the performances: they are absolutely amazing.
Prince Albert (Colin Firth) has a stutter. His wife Elizabeth (Helena Bonham-Carter) is very supportive and together they’ve tried almost every doctor. Finally, Elizabeth turns up Lionel Logue (Geoffrey Rush), a failed actor who tries unconventional methods. Albert is hesitant about the whole thing but since his father King George V (Michael Gambon) grows older and weaker and his brother David (Guy Pearce) is unreliable and uninterested, he decides to go for it anyway.
The King’s Speech is an excellent film, with an amazing cast and a very good script (by David Seidler). The set and costume design was brilliant, too. I just didn’t like the camerawork very much.
A man (Viggo Mortensen) and a boy (Kodi Smit-McPhee) make their way through a post-apocalyptic landscape. All the plants and animals have died, it’s cold and dirty and they are hungry and all alone. But a promise the man made to his wife (Charlize Theron) keeps them going, trying to reach the coast.
The Road is a good movie with some faults. It lacks the claustrophobic intensity of the original but replaces them with great cinematography and generally good performances.