Marie (Maly Delschaft) is stuck in a small-town train station where her husband works. She dreams of the big city, a dream that is fueled by her husband’s new boss. But he has ulterior motives and Marie finds herself under a lot of pressure by him as her husband grows suspicious of her own loyalties.
Die Strecke is not a great film, but thanks to accompanying band Wien Diesel, it was an experience to watch it – an experience I enjoyed a whole lot.
The Doorman (Emil Jannings) has been working in the big hotel for a very long time and he takes a lot of pride in his job. But he is also getting old. After carrying a particularly heavy suitcase, he has to take a break – which the Hotel Manager (Hans Unterkircher) sees. He decides that the Doorman isn’t up to the task anymore and that he should do something less strenuous, so he makes him washroom clerk. But the Doorman can’t handle the demotion this means and starts to unravel.
The last F.W. Murnau/Emil Jannings cooperation I saw (Faust) already blew me away, but this film blew me even further (I should make a project or something of watching all their stuff). Both the story and Jannings’ acting had me completely in their grip and I could still cry when I think about it.