Plot: Pauline (Claire Lams) and Alan (Daniel Rigby) are celebrating their engagement when Frances (James Corden) knocks on the door to announce that his employer Roscoe (Jemima Rooper) is there. Roscoe supposedly died a couple of days ago and his sudden appearance is doubly upsetting because Pauline, and more importantly her dowry, were promised to him long time ago. What Pauline doesn’t know is that it isn’t actually Roscoe but his twin sister Rachel who comes to collect the dowry, so she can flee with her fiancé who did kill Roscoe. As Rachel-as-Roscoe waits for the dowry, she takes camp in a hotel. Also in that hotel – unbeknownst to Rachel – is her fiancé Stanley (Oliver Chris). Thinking him unemployed, Stanley hires Frances who is always looking for a way to get to some food. But serving two guvnors isn’t easy, as Frances soon discovers.
I missed this production when it came to the cinemas and now that National Theatre is offering some of their plays to watch at home, it was the ideal opportunity for me to catch up with this one, since I heard a lot of good things about it. And I have to say, it was a very enjoyable production that definitely made me laugh.
Plot: Debbie Ocean (Sandra Bullock) was just released from prison and has already plans for a new, daring heist at the Met Gala. She just needs to convince her friend Lou (Cate Blanchett) to go along with it and then they can assemble a team to pull it off. And Debby already knows the women they need to do it.
Ocean’s Eight may not be the film of the century, but it never set out to be. What it is, is a perfectly entertaining heist film with a great cast that is a wonderful addition to the Ocean films that have come before it. I hope there will be a sequel or five.
The Trolls live a very happy life, carefree and filled with music and definitely not thinking about the Bergens who are only happy when they can eat Trolls. Nobody more so than Princess Poppy (Anna Kendrick). It’s only Branch (Justin Timberlake) who refuses to sing and who fears that the Bergens will be back. Therefore he is constantly trying to prepare for that eventuality. When Poppy throws a big party that actually does attract the Bergens and a few Trolls end up taken, Poppy knows that she has to rescue them. And who could help her better than Branch?
When Trolls came out last year, I decided pretty quickly that I really wasn’t interested in it. I did have Troll dolls when I was a kid, but I was never particularly taken with them and basing a film on them just seemed weird. But my niece loves the film and she wanted to watch it with me, so I did. And it turns out, it’s actually really sweet and funny.
Alan Bennett (Alex Jennings) moved to a new neighborhood and he quite like it. Part of the neighborhood is Mary Shepherd (Maggie Smith), a woman living in a van parked in his street. She’s weird, often rough and has issues, but Alan does take a liking to her. So when her existence is threatened because her road is being declared a no parking zone, Alan permits her to park the van in his driveway. What was supposed to be only a temporary solution, turns into a long-term fact and Alan starts to find out more about Mary’s past.
The Lady in the Van was a sweet film, told with a sly sense of humor that keeps the story from turning too dark, even when the realities it faces are harsher. It’s an enjoyable mix, although it stays a little too shallow to use the potential for social criticism it would have.
The baker (James Corden) and his wife (Emily Blunt) dream of having a child, but due to a curse by the evil witch (Meryl Streep), they can’t conceive. But the witch offers to reverse the curse – if they bring her certain items: a cow as white as milk, hair the color of corn, a golden slipper and a red cape. They set off into the woods where they hope to find all of those items. As luck will have it, Cinderella (Anna Kendrick) runs away from her prince (Chris Pine) in golden slippers, Jack (Daniel Huttlestone) tries to sell his white cow, Litte Red Riding Hood (Lilla Crawford) is visiting her gran in her red cape and Rapunzel (Mackenzie Mauzy) and her blonde hair meet her prince (Billy Magnussen) – all in those same woods. But things don’t go quite as planned.
The first half of Into the Woods is extremely enjoyable. In the second half, the plot completely unravels, but at least cast and production design are still awesome.
Dan (Mark Ruffalo) is a producer. Or rather, he used to be – these days he’s mostly drinking and despairing at the state of the music industry, while his estranged wife Miriam (Catherine Keener) and equally estranged daughter Violet (Hailee Steinfeld) grow ever more frustrated about it. After he loses his job, despite having funded the company he worked for together with his friend Saul (Mos Def), he hits a new low. That’s when he hears Gretta (Keira Knightley) sing and falls in love with her music. But Gretta sees herself as a songwriter only and is not interested in a career as a singer, especially since she just had a bad break-up with her newly made superstar of a boyfriend (Adam Levine). But Dan convinces her that they should record an album together.
Begin Again [German title absurdly enough “Can a Song Save Your Life?”] might not be quite as magical as Once was, but it is a sweet film with a very nice soundtrack that I enjoyed a lot.