Peter (Tom Holland) is excited about the new superpowers he has gained and wants to become a proper superhero, like Iron Man/Tony Stark (Robert Downey Jr.) who recruited him not too long ago. But now Tony is keeping him at arm’s length and Peter is supposed to keep a low profile and go to high school, when he just wants to be properly heroic Spider-Man. When a new villain makes an appearance, Peter can’t keep still, though. Something needs to be done. And if nobody else does it, he will.
Spider-Man: Homecoming is entertaining and fun and has its fair share of problems. I enjoyed it, but not without reservations.
Swede (Ewan McGregror) and Dawn (Jenniger Connelly) have pretty much the perfect 50s life: he is successful, she is beautiful and they married out of love, of course. Their daughter Merry finally completed their life, despite her stutter. But now Merry (Dakota Fanning) is a teenager and she’s rebelling against everything. Swede and Dawn find out just how much she’s rebelling when they’re confronted with the suspicion that Merry was involved in a bombing that ended fatally. Merry herself disappears and Dawn and Swede are left desperately trying to piece together what happened to her.
Given that American Pastoral was based on a Roth novel, I didn’t set my hopes for the film too high, but in a moment of weakness prompted by McGregor’s prettiness, I decided to watch it anyway. I shouldn’t have bothered.
Cain’s descendants industrialized and ravaged the earth, while Seth’s descendants try and live a harmonious life with nature. Noah (Russell Crowe) is one of the latter and he and his family are the last ones.That’s when God sends Noah a message: he will send a big flood to renew the Earth and only Noah, his family and the animals of the earth are supposed to survive. But Cain’s descendants, led by Tubal-Cain (Ray Winstone) don’t think much of that plan.
I was serisouly let down by Noah. I’ve loved Aronofsky’s work so far but this film is not only boring over long stretches, it shows severe misogyny.
Peter Lake (Colin Farrell) didn’t have it easy in his life so far. He’s an orphan who didn’t go through the best part of the system and ended up living with and working for Pearly Soames (Russell Crowe) as a thief. When the two of them have a falling out, Peter runs, aided by a mysterious and magical horse, and ends up robbing Beverly Penn’s (Jessica Brown Findlay) place. But only until he sees her: Peter immediately falls for her. But Beverly is dying and only a miracle could save her. A miracle Peter might just have in himself.
I don’t think I read one good word about Winter’s Tale and I do understand why. The film has issues. But nevertheless I really enjoyed it, sometimes in the way the movie intended and sometimes laughing about the film.
Based on a self-helf book, it wants to give advice by showing the relationships of different couples, whose lives are intertwined.
Gigi [Ginnifer Goodwin] is constantly dating guys in the search of Mister Right. [Apparently she’s what we’re supposed to believe is the archetype of a woman looking for a man.] After a mediocre date with Conor [Kevin Connoly], she meets his best friend Alex [Justin Long] who tells her about the dating behaviour of the people and how she can tell whether a guy’s interested or not. [As a barkeeper, he knows these things.] Conor, on the other hand, is actually in love with Anna [Scarlett Johansson], who thinks that they’re best friends but doesn’t want more of the relationship, while Anna’s friend Mary [Drew Barrymore] is prowling the internets for a man. Anna coincidentally meets Ben [Bradley Cooper] and falls in love with him. But Ben is married to Janine [Jennifer Connelly], and even if their relationship is not the best, he doesn’t want to have an affair, although he’s immensly attracted to Anna. Ben’s best friend Neil [Ben Affleck] is in a long-term relationship with Beth [Jennifer Aniston], who wants to get married. But Neil doesn’t believe in marriage. Beth, Janine and Gigi all work together and share their men troubles.
To be honest, I have difficulties commenting on this movie as a movie, because I spend most of the time being outraged about the message it was sending. This made it quite impossible to concentrate on performances or directing.
Apart from a tired and old storyline (I can’t bring myself to say it’s a plot twist), the acting is mostly wooden. And I so didn’t care about any of it. Blow up the eart already. At least, then I don’t have to watch this crap.
3 redeeming features, which make it a 1 (of 10) and not a 0:
Inkheart – the adaptation of the book by Cornelia Funke, which I reviewed here – left me with mixed feelings. On the one hand, it was inspired. On the other hand, it didn’t treat the original material very carefully and stood in its own way.
[This review contains SPOILERS!]
[Oh, and it kind of kept on growing, so it’s more of an in-depth analysis than a review.]