The Guadalcanal is an important strategic point in World War II. Therefore a group of soldiers is brought in to battle for an airfield held by the Japanese which quickly turns into a slaughter with pressures from within and without rising for everyone.
I never liked Malick movies. I wanted to watch this one anyway because it’s a classic and so I decided to jump at the chance when it was shown at the Filmmuseum in Vienna. Now that I have seen it, I can say: I really don’t like Malick movies.
Ray Breslin (Sylvester Stallone) works as a security consultant, basically: it’s his job to test prison security system by getting incarcerated and then breaking out. But his newest assignment doesn’t go as planned. He gets taken differently than agreed on, he finds himself facing the sadistic warden Hobbes (Jim Caviezel) instead of the person who knew about his real identity and the prison seems impossible to break out of. But at least he finds support for his breakout plans in fellow prisoner Emil Rottmayer (Arnold Schwarzenegger).
Escape Plan has all the markings of a craptastic film. And parts of it are as shitmazing as I expected them to be. But unfortunately I found myself pretty bored during most of the film despite that.
Five men wake up one by one in a locked warehouse. None of them can remember who they are or how they got there. The first to wake up is Jean Jacket (Jim Caviezel). As he looks around he sees a guy with a broken nose (Greg Kinnear), one tied to a chair (Joe Pantoliano), one handcuffed to a rail in obviously very hurt (Jeremy Sisto) and one apparently simply passed out (Barry Pepper). While everybody else is still out cold, Jean Jacket wanders around and receives a phone call through which he fakes his way through. But it is obvious that something shifty is going on and Jean Jacket and everybody else have to figure out what it is and what side they’re on.
I started this movie under the impression that I hadn’t seen it before, but about five minutes in I realized that I had, actually. I couldn’t remember practically anything about it, though – it’s that kind of a movie.