Plot: When millionaire Andrew Marsh (Joe Mantegna) is found dead from a heart attack, handcuffed to his bed with a sex tape of him and his lover Rebecca (Madonna), suspicions immediately fall on her to have purposefully fucked him to death. When it’s discovered that she stands to inherit a lot of money from him, suspicions turn into criminal charges and Rebecca is arrested despite her protestations of innocence. Her lawyer Frank (Willem Dafoe) is very much drawn to her and even while he starts to investigate the case, the two start an affair.
Body of Evidence is sensationalist crap. With a bit of a more feminist and less voyeuristic/fetishistic tendency, it could have gone in the direction of Gone Girl, but instead we got objectification and misogyny. It’s literally hateful.
Zev Guttman (Christopher Plummer) only barely survived World War 2 in Auschwitz. The rest of his family did not. Now living in the USA, he is old and dementia is slowly grabbing ahold of him. After his wife dies, he finds that the time is finally right to go on a mission and bring down one of the SS officers in Auschwitz who is still at large. Together with his friend Max Rosenbaum (Martin Landau), Zev has narrowed it down to five people the guard could have assumed the identity of. So Zev flees from the senior residence with a bit of money, a detailed letter that explains everything and a gun, hoping to achieve his goal before his dementia will take him over entirely.
Remember takes you on a slow, painful journey and ends with a kick in the gutts. And in this case, all of those things are really good, although afterwards you’ll probably want a stiff drink.
The horror writer Sutter Cane (Jürgen Prochnow), so successful he is said to have driven readers to madness, has gone missing and insurance investigator John Trent (Sam Neill) is hired to find out if he is really gone or if it’s a publicity stunt. Together with Cane’s editor (Julie Carmen) he travels to the town where Cane’s books are said to be set – and that seems to not be quite as fictional as they thought at first.
I very much enjoyed In the Mouth of Madness, although it is at times very cheesy. But of all the Carpenter movies I saw, this might be the one I liked the best.
Many years ago Dr. Litvenko (Ciarán Hinds) built the Agent Program: gentetically modified hitmen without remorse or fear. Realizing how dangerous this is, Litvenko disappeared, taking the science with him and making it impossible to create any more Agents. The Syndicate has been trying everything to restart the Program, but was unsuccessful. Now they’re desperate to find Litvenko. Litvenko’s daughter Katia (Hannah Ware) is also desperate to find her father and find out why he abandoned her. Just as she’s getting close, she meets John Smith (Zachary Quinto) who warns her that Agent 47 (Rupert Friend) is tracking her with orders to kill her.
I did not expect Hitman: Agent 47 to be a good film. In fact, it was the kind of film where puzzledpeaces and I packed a bottle of alcohol eached and just got really, really drunk during the film. For that it was perfectly chosen. For everything else, Hitman is a waste.