Plot: William (Keanu Reeves) works with his colleague Ed (Thomas Middleditch) on trying to transfer a human consciousness into a robot. But his research has hit a snag, so a break with his family – wife Mona (Alice Eve) and children Matt (Emjay Anthony), Sophie (Emily Alyn Lind) and Zoe (Aria Lyric Leabu) – seems like a great idea. Only on his way to their trip, they get in an accident and William is the only survivor. In his desperation, he calls on Ed and they devise a plan how they could bring them back.
Replicas is okay. Nothing we haven’t seen before, but entertaining enough if you’re able to overlook that William’s plan is so full of holes it makes you wonder whether he ever took a step in the world outside of his house.
Plot: Penny (Carson Meyer) has always loved Johnny (Noah Centineo), and finally they found their way to each other. Now they finished school and summer stretches before them. Johnny is housesitting Keanu Reeves’ beach house and invites Penny. Since Penny assumes, hopes and fears that this will mean that they will finally have sex, she asks her cousin Camilla (Bianca A. Santos) along as moral support. Things get complicated afterwards, though. Young musician Ash (Jackson White) who is camping at the beach, joins them and Penny and he have an instant connection. Johnny is generally distant, trying to figure out where to head next. As is Bianca, who is afraid that nobody takes her serious. As the summer draws on and they learn to surf together, decisions have to be made.
SPF-18 is a mess with some nice cameos. I got the distinct impression that this was made by somebody so privileged, they live in a world entirely unlike mine, and it shows in pretty much everything. It’s a film utterly removed from the reality of most people – and doesn’t even know it.
Plot: John Wick (Keanu Reeves) is in deep, deep trouble. He has been ousted from the society of assassins, forfeiting any protection they can offer. Instead there is a bounty on his head, and everybody from the assassin’s guild is after him to cash in on it. He has had a very small grace perios before the hunt starts, but his only real chance is to get out of the city and disappear.
I have been a huge fan of the first two installments of this series, and the third one manages to continue with it in the same high quality, making me itching for Chapter 4 (presumably the last one).
Plot: When Sasha (Ali Wong) and Marcus (Randall Park) were kids, they were neighbors and best friends. It seemed like fate that they should fall in love as well, but they had a falling out instead and haven’t spoken in 15 years. After becoming a celebrity chef, Sasha has returns to San Francisco to open a new restaurant, after agreeing on a break from her fiancé Brandon (Daniel Dae Kim) – and runs into Marcus who seems not to have changed at all. The two carefully reconnect and have to ask themselves whether old wounds or old attractions still have a hold on the present.
Always Be My Maybe is sweet and fun, but I didn’t connect emotionally to it that much. Still, it’s very watchable.
Plot: Mike (River Phoenix) and Scottie (Keanu Reeves) are hustlers, living in the streets of Portland. Scottie has been living this way for longer than Mike and shows Mike the ropes a little, introducing him to Bob Pigeon (William Richert) who is something between a pimp and a father figure for a lot of more or less homeless hustlers in the city. Scottie also takes care of Mike when he has one of his narcoleptic spells. Despite their closeness, there’s a chasm between Mike and Scottie as Mike doesn’t have many choices to live the way he does, while Scottie comes from a rich family and chose to hustle to embarrass them.
I saw My Own Private Idaho around 20 years ago and I understood very little of it back then. Seeing it now, opened up the film to me much more. That in itself is already a beautiful experience, but even without that part of the experience, the film is wonderful.
Arlen (Suki Waterhouse) is released into the Texan desert, a wasteland where all of the undesirables are sent to and have to weather not only the harsh climate but also each other to survive. It doesn’t take long and Arlen is captured by cannibals led by Miami Man (Jason Momoa). But even though she doesn’t escape unharmed, Arlen does manage to escape and find her way in this cruel world.
Tom Ludlow (Keanu Reeves) is an undercover cop. He is successful, but he rarely sticks to the law. Neither does his superior, Jack Wander (Forest Whitaker), which is how Tom got away with it for years. But now Internal Affairs in the form of James Biggs (Hugh Laurie) have started to investigate, just as Ludlow’s colleague Terrence Washington (Terry Crews) has espressed doubts about Ludlow and his methods. It doesn’t take long for things to go from bad to worse for Ludlow.
Street Kings is an utterly grueling film, and not in a good way at all. While the cast promises much, the script doesn’t deliver and what you get is a boring film filled with unlikeable characters.
After John Wick (Keanu Reeves) finished his quest of vengeance and made sure that there will be no continuation of a blood feud, all he wants is to get back to his life of peace and quiet. But his reappearance in the world of assassins hasn’t gone unnoticed and there is still a debt John owes to Santino (Riccardo Scarmarcio) – and Santino has come to collect. John wants to refuse, but if he does, he goes against one of the central principles of this world – and his life will be up for grabs.
John Wick: Chapter 2 may not have blown me away quite as much as the first film (which may be due mostly to my higher expectations now), but it is definitely a more than worthy sequel.
John Wick (Keanu Reeves) used to be a hitman. The best hitman. But he gave it all up for is wife (Bridget Moynahan) and went straight. But now he lost her after a long illness and he’s lost without her. When a little puppy arrives on his doorstep, courtesy of his wife who didn’t want him to lose his ability to love, he is immediately taken by it. But then he is robbed by Iosef Tasarov (Alfie Allen), a young thug who happens to be the son of mafia boss Viggo Tasarov (Michael Nyqvist). Iosef wants to steal John’s car, but can’t leave it at that: he kills John’s dog. That is the last straw for John who decides to get back into business and take his revenge on Iosef and anybody who stands in his way.
Before seeing the sequel, I knew I had to re-watch John Wick. And also on re-watching it’s a beautiful, amazing, wonderful action movie that I simply adore.
Jesse (Elle Fanning) just moved to L.A., dreaming of a career as a model. She meets photographer Dean (Karl Glusman) and make-up artist Ruby (Jena Malone) who both take a shine to her and try to help. Since there is something about Jesse, that seems barely necessary though – her career is definitely off to a good start. But young girls like Jesse are quickly swallowed by the fashion world and grow older too fast – which is what happened to Gigi (Bella Heathcote) and Sarah (Abbey Lee), who can’t stand Jesse waiting in the wings to take their place.
The Neon Demon is a hypnotizing film that manages to conjure up an intriguing atmosphere that kept me glued to my seat. But – as with Drive – it only worked for me because I read it completely different from what Refn apparently intended to say.