Greta (Mira Partecke) is an architect and has a son she’s estranged from. When she unexpectedly loses her job, she desperately tries to get back on her feet. Or drink enough that she forgets that she has lost her footing. She doesn’t seem built to participate in the neoliberal gig culture in the city around her, but is there a place that isn’t within that culture?
Eine flexible Frau is somewhere between art film, narration and sociological cinema – and it’s a really good mix at that. It’s challenging cinema, but if you’re willing to let yourself be challenged, you can get a lot out of it.
Mifti (Jasna Fritzi Bauer) lives with her brother (Julius Feldmeier) and sister (Laura Tonke), their rich father (Bernhard Schütz) having other ideas of how to spend his time than with his children. Mifti drifts through Berlin, barely going to school. But when she does, she meets Ophelia (Mavie Hörbiger), an actress who has been sentenced to community hours in the school kitchen. The two start drifting through Berlin’s club scene together. It’s around that time that Mifti also meets the intriguing, much older Alice (Arly Jover) in the supermarket who sparks her fantasies.
Axolotl Overkill is a fascinating, well-made film that is a little marred by its author/director. But that shouldn’t keep you from seeing it.