Plot: Helene (Julia Jentsch) is a judge, her husband Jakob (Manuel Rubey) a musician and stay-at-home dad. Their lives are pretty settled, as is their friend’s Volker (Marcel Mohab), a therapist with an unceasing string of girlfriends. The newest is Tina (Aenne Schwarz), an art historian who works with children at the museum. When Volker mentions that he will go to Russia for a conference, Helene asks him to bring a package to Pavel (Tambet Tuisk), her Russian college boyfriend who finds himself in a tight spot. This leads to Pavel actually fleeing from Russia to Austria. To Helene’s surprise, he shows up with his wife Eugenia (Lena Tronina) and their child, getting everything in disarray.
Waren einmal Revoluzzer profits from its political heart that does elevate the film beyond the rather standard comedy it is. Still, while entertaining and well-made, I didn’t really love it.
Plot: Alexander (Wolfgang Hübsch) has withdrawn to his uncle Wanja’s (Martin Butzke) country estate to escape the financial crisis that is shaking the city and has caused a revolution. In the country, things still are mostly the same and Wanja and Sonja (Korinna Krauss) want to keep it that way. But Alexander and his wife Elena (Julia Dietze) have business ideas – lots of them.
Onkel Wanja is an ambitious project that tries a lot but it’s unfortunately also one that fails a lot. For me it was mostly marked by feeling long and exhausting, although there were a few bits that were pretty strong.
Stella (Vicky Krieps) and Markus (Marcel Mohab), Ines (Pia Hierzegger) and Chris (Manuel Rubey), Mignon (Pheline Roggan) and Luis (Andreas Kiendl) are three couples who have been friends for a long time. As they’ve passed their 30th birthday, the question of children starts to arise. It just so happens that after Stella and Markus decide they want to have a kid, Ines finds herself accidentally pregnant and Mignon pressures Luis, maybe just to not be the only one who isn’t pregnant. So all three couples find themselves expecting a kid, but not really expecting their lives to change or wanting it.
Was hat uns bloß so ruiniert comes with a lot of praise, but I wasn’t all that taken with it. It is funny and it has a lot of charm, but it didn’t resonate with me all that much.
Stefan (Lukas Turtur) and Andreas (Philipp Hochmair) have it all: they love each other as much as on the first day, they have a beautiful home on the outskirts of Vienna, good careers with the Radio Symphony Orchestra where Stefan is musician and Andreas a scheduler, and a large circle of good friends. Completing their luck is Moses, a tomcat they adopt. But with an sudden act, their life as they used to know it is instantly over.
Kater is one hell of a film. Well-acted, nice characters, beautiful music and emotionally engrossing, it shocked me like a film rarely has. It should probably come with a warning, but to specify that warning would also give too much away. So, if you’re not particularly fragile, read nothing more about the film and watch it.
If you feel, you need more information, read on, but beware: there will be SPOILERS.
Lea (Anna Rot) and Hanna (Magdalena Kronschläger) have been best friends for a long time. So when Lea comes up with the plan that they could both work as escorts to get some easy money while they study, it’s clear that they can only do it together and that nobody around them will know. Hanna is more reluctant but the two of them start working anyway. It turns out to be quite an adventure, at least initially.
Tag und Nacht is one of many films where young women decide to try sex work and then discover that it might not be all that great, at least in a society that has such an ambivalent relationship with sex work as ours. While the film is well-executed, it felt too familiar for its own good.