Plot: Eloise (Anna Kendrick) has been debating with herself whether she should attend the wedding of her (former?) best friend after her boyfriend – the bride’s brother and best man – Teddy (Wyatt Russell) dumped her. Over a text. Relegating Eloise from Maid of Honor to outcast at the wedding. In the end, she can’t stay away and ends up at the dreaded Table 19 – where all the guests sit that nobody expected or wanted to actually show up. Bina (Lisa Kudrow) and Jerry Kepp (Craig Robinson), Jo Flanagan (June Squibb), Walter Thimble (Stephen Merchant), and Renzo Eckberg (Tony Revolori) share Eloise’s fate and bring their own issues. As the wedding goes on and Eloise’s natural penchant for drama comes out more and more, things turn from awkward to outright catastrophic for them all.
I didn’t have high expectations for Table 19, but Anna Kendirick was ultimately enough of a draw for me to give it a go. And in some ways, it did surpass my expectations, but mostly it’s the cinematic equivalent of a cheap snack: pleasurable enough as long as it lasts, but gone from memory as soon as its over.
Plot: The world has latched onto a new concept: downsizing. People are literally shrunk down to five inches. Given that they need much less resources that way, their dollar stretches much further, buying them a life of luxury. Paul (Matt Damon) is intrigued by the idea and when his friend Dave (Jason Sudeikis) tells him all about his newly shrunken life and how great it is, Paul and his wife Audrey (Kristen Wiig) decide to take the leap themselves.
Payne isn’t my kind of director, and Downsizing is unfortunately no exception, despite the fun premise. The execution is racist, sexist and gets lost inside its own metaphor. I was hoping for more.
Mothers come in many shapes and forms. Sandy (Jennifer Aniston) is really good at being divorced from Henry (Timothy Olyphant): they get along better now than they ever did before. That is, until Henry tells her that he has a new girlfriend (Shay Mitchell) who is much younger. Meanwhile, sisters Jesse (Kate Hudson) and Gabi (Sarah Chalke) are both happy in their respective partnerships and with the distance that lies between them and their parents (Margo Martindale, Robert Pine) – who don’t know that Jesse’s partner (Aasif Mandvi) is of Indian descent and that Gabi’s partner (Cameron Esposito) is a woman. Miranda (Julia Roberts) on the other hand opted out of being a mother and rather focused on her career, while Kristin (Britt Robertson) and Zack (Jack Whitehall) just had a baby, despite being rather young and poor. And Bradley (Jason Sudeikis) has to face the first Mother’s Day with his daughters since his wife passed away.
Mother’s Day was shown in the sneak preview I attended, otherwise I probably wouldn’t have bothered watching it. But I have to admit that it was a rather enjoyable film – even if far from flawless.
When their father (Sam Shepard) dies, Barbara (Julia Roberts), Ivy (Julianne Nicholson) and Karen (Juliette Lewis) all gather home with their mother Violet (Meryl Streep). Everyone comes with their baggage: Barbara and her husband Bill (Ewan McGregor) are separated but haven’t told their family and their daughter Jean (Abigail Breslin) doesn’t deal very well. Ivy has a secret lover. Karen brings home her newest fiancé (Dermot Mulroney). And Violet, a mean-spirited pill-addict, likes to stir things up.
August: Osage County isn’t always easy to watch but it is always well-acted and engaging. Toward the end I thought that it got a little much but altogether it was a really good film.
Ethan Wate (Alden Ehrenreich) lives in the small South Carolina town of Gatlin. Ever since his mother’s death, his father pretty much hasn’t left his room and Ethan is taking care of him. He dreams of college and leaving. But recently he’s been having strange dreams of a girl. And then Lena (Alice Englert) shows up at his school. She’s the niece of the town’s supposed madman Macon Ravenwood (Jeremy Irons). Ethan feels an instant connection with Lena, even recognizes her as the girl he dreamt about. But even more crazy things happen around and to Lena, and time is running out for her.
What the movie did to this book was incredible. From a nice, if not great young adult story, it was turned into a misogynistic, illogical, offensive crapfest. I actually had to shout DAFUQ several times.