Plot: Charles Hayward (Max Irons) used to be a diplomat/spy in Egypt, but now he is back in London and takes up a business as a private detective. When the rich Aristide Leonides is poisoned in his home, his granddaughter Sophia (Stefanie Martini) calls on Hayward, who was her lover some time ago, to solve the case. Hayward arrives at the Leonides estate to face a complicated family filled with suspects and suspicions.
Crooked House was bad. Holy shit, it was such an exhausting film. I hated it so much, I was very happy that I coincidentally had alcohol-filled chocolates with me so I could dull the pain a little.
Plot: Maria Altmann (Helen Mirren/Tatiana Maslany) had to flee Austria during the Second World War because she’s Jewish, and has never returned there since she was exiled to the USA and lost most of her family to the Nazis. But after the death of her sister, Maria realizes that she has the responsibility to guard her family’s memories. And part of those memories is the painting of her aunt Adele (Antje Traue), painted by Gustav Klimt (Moritz Bleibtreu), that the Nazsi took from her home and that is now hanging in a federal Austrian museum. As the Austrian government just started hearing restitution claims, Maria asks lawyer Randol Schoenberg (Ryan Reynolds) for help with recovering that painting. They even travel to Austria together, where they meet journalist Hubertus Czernin (Daniel Brühl) who warns them that the Austrian government won’t be cooperative. That proves to be right and Maria and Randy have to dig in for a long fight.
After I read the first reviews, I didn’t expect Woman in Gold to be any good. But I was pleasantly surprised: it’s an engaging and well-made film that is only marred by the German used in the film.
Melanie (Saoirse Ronan) is one of the few remaining humans who don’t have a “Soul” yet – a parasitic alien life form who took over earth and the human bodies. But then she’s captured and Wanderer is implanted into her. But somehow Melanie’s spirit survives this. Fueled by worry about her brother Jamie (Chandler Canterbury) and her boyfriend Jared (Max Irons) she starts to fight Wanderer who is trying to mine her memories to find the last humans for the Seeker (Diane Kruger).
Much as with Olympus Has Fallen, I went into this film with extremely low expectations and armed with alcohol (this time, we didn’t run out halfway through) and I swear that this is the only way to make this film even slightly bearable. But if you’re drunk enough, it does become extremely entertaining.
As long as they can remember, the inhabitants of Daggerhorn have been living with a werewolf at their doorstep. A situation that imposes some restrictions on them but that they have learned to deal with. Valerie (Amanda Seyfried) lives a rather normal life in Daggerhorn. She’s in love with Peter (Shiloh Fernandez), though her family, especially her mother (Virginia Madsen), wants her to marry the rich Henry (Max Irons). So Valerie and Peter decide to run away. But before they’re able to go through with their plan, Valerie’s sister is killed by the werewolf, Father Solomon (Gary Oldman), a werewolf-hunting priest, shows up and things change quickly.
Red Riding Hood delivers mostly what it promises: uber-camp. The only problem is that its three leads in the love triangle (Seyfried, Fernandez, Irons) actually take this film seriously. I mean, not even the set designer did – but these three do and it is a little weird. But then Gary Oldman makes up for it all.