Plot: Christoph (Laurence Rupp), called Burschi (“little boy”), has finally achieved what he has always dreamed of: he is training with the WEGA, Austria’s police special forces unit, under Konstantin Blago (Anton Noori), his big idol. His father Heinz (Roland Düringer) who is also a cop, but turned away from his career towards a more social role in the force sees Christoph’s dream with a critical eye. On a seemingly routine call Christoph ends up shooting a mentally ill man (Michael Fuith) who attacked. Celebrated as a hero by his squad and criticized by the public, Christoph starts to struggle with the events and his role in them.
I was pretty impressed by Cops as it takes a deep dive into police culture – which also means looking very sharply at masculinity. It’s sociological analysis in movie form and one I had yet to see from an Austrian perspective. Istvan handles it very well.
Adrian (Jeremy Miliker) lives with his mother Helga (Verena Altenberger) and her boyfriend Günter (Lukas Miko) and things could be great. Unfortunately, Helga and Günter are both drug addicts, making all of their lives much harder. Nevertheless, Helga tries everything in her power to give Adrian the best life she can give him, filled with fantasy and adventure. But it’s clear that things can’t go on the way they are.
With Die beste aller Welten, Goiginger works through his own childhood and in this case, that’s the perfect recipe for a touching, beautiful film, even if it’s a difficult story to tell, especially because it goes as well as it does.
Michael (Michael Fuith) traveled all the way from Vienna to Berlin to surprise his ex-girlfriend Gabi (Anka Graczyk), to give back her key in person and maybe convince her that things don’t actually have to be over? How much of a bad idea this is becomes obvious, when he arrives just at the same time as a deadly virus that turns everybody who gets in touch with it into rage monsters. And Gabi isn’t even home. Trapped in Gabi’s apartment together with the handyman apprentice Harper (Theo Trebs), Michael has to figure out what to do next.
I had heard many good things about Rammbock, but unfortunately I was rather disappointed by it. I liked the setting and their version of the zombie lore, but I did not like or care for Michael. At all.
Glazius is a climate monitoring station in the alps. They’re keeping an eye on the glaciers, basically documenting their recline. When Janek (Gerhard Liebmann), the station’s constantly drunk technician, and Falk (Peter Knaack), one of the scientists, discover a red glacier made up of a peculiar, organic substance and Janek soon after sees a very weird looking animal, the climate change quickly becomes the smallest of their worries. Especially since Ecology Minister Bodicek (Brigitte Kren) is approaching with a small delegation.
Blutgletscher is Austria’s first creature feature and as such it is of course a historical movie. But it’s also a really cool movie that works perfectly – right up until the ending.
Michael (Michael Fuith) leads a rather normal, if slightly withdrawn life. Apart from Wolfgang (David Rauchenberger), the 10-year-old boy who lives locked up in his basement. The movie chronicles a few months out of their lives together.
Ugh. Pedophilia is never an easy subject and Michael is a hard movie. It’s calm and collected and damn ugly. It is also very well made and effective. But it’s not really a film you can like.