Plot: Lee Chung Chi (Louis Koo) is a police officer in Hong Kong. He is tough and good at his job, but when his teenaged daughter Wing Chi (Hanna Chan) disappears in Thailand, his position at home helps him very little. Nevertheless, he goes to Thailand, hoping to help in the investigation and to find his daughter again. In Thailand he finds officers Chui Kit (Yue Wu) and his partner Tak (Tony Jaa) who are in charge of the case, although not necessarily happy with having to deal with Chung Chi as well. But when Wing Chi’s disappearance leads to a criminal conspiracy, they need all the help they can get.
Paradox is a very cool film that manages to transcend its basic thriller set-up by a healthy dose of criticism of the system and really fantastic fight scenes. I enjoyed every second of it.
Lung (Michael Ning) and Chi-Yeung (Kai-Chung Cheung) are best friends and their lives consist mostly of talking big. But Lung has a few things he has to face: his depressed step-mother Shan (Carrie Ng) has to give up the theater where they have been living. His father (Alex Man) was released from prison and his attempts to reconnect are mostly annoying for Lung. It’s no surprise that Lung prefers to spend his time dreaming about star Yee-Sue (Venus Wong) than face reality, while Chi-Yeung rather chases after the a little more reachable Chan-Yat (Cherry Ngan). But all of their lives is turned upside down when a birdlike monster makes an appearance that turns the people around them into zombies. Lung and Chi-Yeung might have to start facing up to their big talk.
Who takes a look at the zombie genre and thinks, “what this needs is an Angry Bird crossover”? The makers of Zombiology, apparently. It even works surprisingly well for a long time, but not the all the way through.