Plot: Florence Foster Jenkins (Meryl Streep) loves singing opera and dreams of performing for a big crowd. And since she’s rich, she has the means to make her dreams come true, despite the fact that she can’t actually sing. Her husband St Clair Bayfield (Hugh Grant) is devoted to her and wants to make sure that she’ll be able to perform without being ridiculed. He hires pianist Cosmé McMoon (Simon Helberg) to practice with her and together the two men form an alliance to get Florence on the stage.
Florence Foster Jenkins didn’t blow me away, but it was a sweet and entertaining film that I enjoyed.
Conor (James McAvoy) and Eleanor (Jessica Chastain) used to be the perfect couple. But something happened and now they’re not. Eleanor is distant and doesn’t want any contact with Conor and Conor has trouble respecting that boundary. But Eleanor isn’t as done with Conor as it might seem at first and the question remains whether they can find back to each other or not.
The Disappearance of Eleanor Rigby was good but not as great as it could have been. I expected a little more from the concept – TDoER: Them is a cut based on two films, TDoER: Him, which tells events from his perspective, and TDoER: Her, which tells them from hers. But the splice generally feels a little uneven.