Plot: Stephen Strange (Benedict Cumberbatch) has been having strange dreams. During the wedding of his ex-girlfriend Christine (Rachel McAdams) those dreams come crashing into his world in the shape of a monster chasing after a teenage girl, America Chavez (Xochitl Gomez). America has the ability to jump between multiverses but she can’t really control it. She’s still hunted for it, though. Stephen seeks out Wanda Maximoff (Elizabeth Olsen) to help with America’s abilities. But things take a different turn that sends them through the multiverse.
Doctor Strange in the Multiverse of Madness is a special effects celebration that is entertaining to watch, although it sometimes tries to be too many things at once.
Plot: Harris (Steve Martin) is the wacky weekend weatherman for a local L.A. TV station. He is dating Trudi (Marilu Henner), but he is not particularly happy. When he meets Sara (Victoria Tennant) at a brunch party through their mutual friend Roland (Richard E. Grant), Harris is instantly smitten. But not so smitten that he doesn’t also find saleswoman SanDeE* (Sarah Jessica Parker) very attractive. After a magical incident where an electronic billboard starts to give Harris advice, he has to decide between the women in his life.
L.A. Story is a whimsical film, more interested in a ribbing love letter to L.A. itself rather than the characters in it. There are some nice laughs here, but also some stuff that hasn’t aged particularly well. I suspect that people who have a direct connection to L.A. will be particularly fond of it.
No Man’s Land Director: Sean Mathias, Robin Lough Writer: Harold Pinter Cast: Ian McKellen, Patrick Stewart, Owen Teale, Damien Molony Seen on: 26.6.2021
Plot: Hirst (Patrick Stewart) brings home Spooner (Ian McKellen) for a drink after just meeting in a pub. Spooner seems to have seen better days, while Hirst is obviously well-off. As Spooner talks, it appears that the encounter may not have been entirely by chance, Spooner seems to know more about Hirst. His behaviour certainly draws the suspicions of Foster (Damien Molony) and Briggs (Owen Teale) – apparently part of Hirst’s household – who question Spooner after Hirst leaves the room. But nobody really figures out what is going on here, at least not a first.
No Man’s Land is well-acted and I liked the stage design, but I could not handle this play. It’s really not my thing, to put it mildly.
Plot: Elena (Naomi Scott) is an engineer at a technology company and they are about to launch a product that will revolutionize the way the world works. Elena is worried that there is a terrible security flaw in the product, but nobody wants to hear about it. So she contacts the Angels, hoping to keep the worst from happening. Sabina (Kristen Stewart) and Jane (Ella Balinska) are assigned to her case by Bosley (Elizabeth Banks). What should be a routine mission becomes much bigger than they expected, though.
I honestly don’t understand why Charlie’s Angels tanked as much as it did*. I found it to be a refreshing, fun action comedy with great performances and a nice (basic) feminist message.
*I have an idea though and that idea can be summed up with “male critics”.
Plot: When Alex (Louis Ashbourne Serkis) steps in when his best friend Bedders (Dean Chaumoo) is being bullied, the two bullies Lance (Tom Taylor) and Kaye (Rhianna Dorris) don’t take too kindly to it. That night, they chase Alex on his way home, but Alex hides in a construction site where he finds a sword embedded in the stone. He pulls it out – and realizes that it is actually Excalibur. Along with Excalibut comes Merlin (Angus Imrie, Patrick Stewart) and a threat in the form of Morgana (Rebecca Ferguson). It is up to Alex and his friends to stop her.
I have rarely seen a film get a cinematic release that was talked about so little as The Kid Who Would Be King. And I honestly don’t get it. It is a cute family film, it has famous people and it is very entertaining. By rights, it should have been easy to advertise and easier still to be a success. So, take it from me and have fun with this one!
Mutants have been practically eradicated. There are only a few left – those who manage to hide very well. One of them is Logan (Hugh Jackman), whose age is starting to show in the decreased tempo of his healing. He takes care of Xavier (Patrick Stewart), whose age is in turn showing in the dementia he developed. They are constantly at risk of being discovered. When Logan is asked to drive the young Laura (Dafne Keen) to Canada, he smells trouble and tries to refuse. But Laura won’t let herself be refused. She is like Logan in many ways and definitely a mutant. And she is pursued by an organization that means her harm. Laura forces Logan to face the world and his place in it.
Logan is probably the most emotionally mature superhero film, at least of recent years. Nevertheless, I’m not quite as taken with it as many other people were.
Pat (Anton Yelchin), Sam (Alia Shawkat), Reece (Joe Cole), and Tiger (Callum Turner) are the punk band The Ain’t Rights. They are currently touring, desperate for any gig they can book that will actually pay. They accept an offer to play at a place they know nothing about and are taken aback when they find out that it’s actually a neo-nazi club. But since they can’t afford to decline, they decide to power through. Unfortunately when they’re done, they walk in on a murder and suddenly their situation turns very bad indeed.
Green Room has been getting pretty amazing buzz and great reviews. I have to admit, I can’t entirely follow the hype surrounding the film. It’s a strong film, no doubt about it, but it did not blow me away.
Scientist Bolivar Trask (Peter Dinklage) created an adaptive superroboter to hunt and kill mutants that eradicated mutants almost entirely in just a few short years. The only way to stop their complete extinction is by stopping Trask building the robots in the first place. So Kitty Pride (Ellen Page) sends Logan (Hugh Jackman) back into the past to find Charles Xavier (James McAvoy) and Erik Lensherr (Michael Fassbender) from stopping Raven (Jennifer Lawrence) to inadvertently set everything in motion. But neither Charles nor Erik are at a particularly good place in their lives and its up to Logan to make everything happen.
I really, really enjoyed X-Men: Days of Future Past (I even saw it twice in the cinema), even if I do have certain qualms about it. But the fun pretty much outweigs everything.
The Mutant Registration Act is still a very distinct possibility and threatens the mutants’ existence. And then a new mutant – Nightcrawler (Alan Cumming) – attempts to kill the president and almost succeeds, adding further fuel to the debate. The retired Colonel Stryker (Brian Cox) is leading among the people against mutants and uses the assassination attempt as an excuse to attack Professor X’s (Patrick Stewart) school with knowledge he gained from drugging Magneto (Ian McKellen).
X2 is the rare case where the sequel is actually better than the first film (even though the first film wasn’t bad). It’s enjoyable as hell.
The world is changing and so are humans. Ever so slowly “mutants” are emerging – humans one step further in the evolution of things who have special powers. Marie (Anna Paquin) is one of them. When her power kicks in, she runs away from home and quite accidentally meets Logan (Hugh Jackman), another mutant. Together they end up at Professor Xavier’s (Patrick Stewart) school for mutants and get caught in the war that is brewing between Xavier, his old friend Eric (Ian McKellen) and the humans.
It’s been ages that I saw the film and I have to say that it holds its own quite well, even after all this time. Yeah, it has the occasional headdesk-worthy dialogue, but it’s fun, has a good cast and treats its premise with respect. Very enjoyable.