K (Ryan Gosling) is a replicant who works as a blade runner – a section of the police tasked with hunting down rogue replicants and killing them. During one of those hunts, K finds evidence that there was a replicant who managed to reproduce sexually: she became pregnant and had a child which was believed to be impossible. K’s superior officer Joshi (Robin Wright) fears the repercussions if that fact became wide knowledge and tells K to find the child and kill it. This leads K to question his own past as well.
Blade Runner 2049 was so incredibly boring that I could barely stand it. Since it’s also racist and sexist, it probably would have been better if it hadn’t been made at all.
Sebastian (Ryan Gosling) is a jazz pianist who dreams of owning his own club and devoting his life to saving jazz as he loves it. Mia (Emma Stone) is an actress and playwright who dreams of the big career and works hard to finally get her breakthrough. No better place for either of their dreams than Los Angeles, where they meet and, despite initial antagonism, fall in love.
I was lucky enough to see La La Land pretty early, before it really became the smash hit it has since gone on to become with the accompanying blowing out of proportion of its qualities and the resulting backlash. And I have to say that I was very much charmed by the film and its two protagonists. Did I think it deserved all of the love it was getting? Not really. Did I think it deserved all the hate? Definitely not. It’s sweet, fun and entertaining, nothing more, nothing less.
Holland March (Ryan Gosling) was hired to look into the death of porn star Misty Mountains – or rather the possibility that she isn’t dead after all. His investigation leads him to Amelia (Margaret Qualley), but Amelia really doesn’t want to be investigated. So she hires Jackson Healey (Russell Crowe) to hammer that point home and get Holland to stay away. But then Amelia disappears and Jackson suspects foul play, so he decides to team up with Holland to figure out what happened.
The Nice Guys had a lot of potential and some very funny moments, but also quite a few things that did make me a little uncomfortable, especially its treatment of women. I did enjoy it, but I didn’t love it.
Michael Burry (Christian Bale) may not have many social skills, but he knows finance. And he knows that something will have to give in the world of finance – and that he can profit from the banks’ greed if he plays his card rights. So he starts betting against banks, assuming that the loans they give out will start to collapse. His tactic becomes known to Wall Street Broker Jared Vennett (Ryan Gosling) who approaches fund manager Mark Baum (Steve Carell) with the proposal to do the same. At the same time, college kids Charlie Geller (John Magaro) and Jamie Shipley (Finn Wittrock) enlist veteran investor Ben Rickert (Brad Pitt) to join into their own version of Burry’s scheme.
The Big Short treads pretty much the same ground as Margin Call, only that it is much more entertaining and made me understand the bursting of the real estate bubble much more.
Billy (Christina Hendricks) lives alone with her two kids in a mostly abandoned neighborhood. When he’s not busy dreaming about his neighbor Rat (Saoirse Ronan), Billy’s older son Bones (Iain De Caestecker) tries to support them by stealing copper from the empty houses around them, which draws the ire of local thug (Matt Smith) who claims all the copper for himself. Threatened by foreclosure, Billy accepts a job offer from Dave (Ben Mendelsohn), her bank manager who has a little business at the side at a strange night club.
Lost River is not a perfect film. But it is an enchanting, strong debut that I won’t mind watching again.
Richard (Ryan Gosling) and Justin (Michael Pitt) are at opposite ends of the high school feeding chain, but they are equally brilliant and equally bored by their lives. So they hatch a plan to commit the perfect murder and actually carry it out. Homicide detective Cassie Mayweather (Sandra Bullock) and her new partner Sam Kennedy (Ben Chaplin) are put on the case and Mayweather soon realizes that something is fishy. Quickly she finds herself in a dangerous game with Richard and Justin.
Murder by Numbers is nothing revolutionary, but it is a nice watch, especially for Cassie Mayweather who is a pretty great character and the generally good performances.
Julian (Ryan Gosling) manages a boxing club in Thailand, including some drug business with his brother Billy (Tom Burke). When his brother kills an underage prostitute, police man Chang (Vithaya Pansringarm) allows the girl’s father to kill Billy. Her son’s death brings Crystal (Kristin Scott Thomas) to Bangkok, where she demands that Julian avenge Billy. But Julian is hesitant about this.
Only God Forgives is a heavy movie. It’s slow, gory and tells its story in dreamlike fragments. I understand that it isn’t for everybody, but I could lose myself in it.
Luke (Ryan Gosling) is a motorcycle stunt driver. But when he finds out that Romina (Eva Mendes) – with whom he had a fling a year earlier – had his son, he decides to give up his job and stay near them and take care of them. But since he lacks the resources to do so properly, he starts to rob banks which puts him right in the path of Avery (Bradley Cooper), a young and ambitious police man.
I loved Blue Valentine and the cast of this movie is pretty damn good, so I expected big things. Unfortunately, I was sorely disappointed. The Place Beyond the Pines is boring, clichéd and way too long.
1949 in Los Angeles: former boxer Mickey Cohen (Sean Penn) is taking over the city with his criminal empire. The police is mostly bought by him and those who aren’t are too few to do anything about it. That is when Chief Parker (Nick Nolte) asks Sgt. John O’Mara (Josh Brolin) to form an unofficial squad of police men to destroy Cohen’s operation – with any means necessary. So O’Mara gathers some men around him and gets to work.
Gangster Squad is astonishingly bad. You’ve got this excellent cast and a potentially stylish setting, and it’s all ruined by a script that is so stupid it’s practically negligent and a particularly inept direction.
The distant Leland (Ryan Gosling) just stabbed a mentally disabled boy and is sent to prison. Nobody really understands why he did it and his prison teacher (and aspiring writer) Pearl (Don Cheadle) is so intrigued that he wants to write a book about him. So he starts interviewing Leland about his life and tries to figure out what moved him to such a desperate act.
The United States of Leland has a wonderful cast but despite Ryan Gosling giving his best, Leland as a character just doesn’t work at all. Nevertheless the film is interesting, if completely predictable.