The Writer Director: Blanche McIntyre Writer: Ella Hickson Cast: Romola Garai, Michael Gould, Lara Rossi, Samuel West Seen on: 23.4.2018
Plot: A young woman (Lara Rossi), an aspiring playwright, meets the director (Samuel West) of a play she just saw and tells him just what she though of it. He barely takes her comments seriously, believing her naive, but inspired by her fire offers her a job anyway. They both are the characters of the Writer’s (Romola Garai) new play. The Director (Michael Gould) tries to bring it to life, but doesn’t seem to get what it’s about, making the Writer uncomfortable. Her boyfriend (Samuel West) urges her to stay with it regardless since it’s a well-paying job. Somehow the Writer has to find the balance between her vision and patriarchal and capitalist demands.
The Writer is a great piece of theater. It’s insightful, demanding, weird, self-aware, femininst and gripping. Beautifully done.
Many years ago, Anne Elliot (Amanda Root) was engaged to Frederick Wentworth (Ciarán Hinds), but took the advice of her motherly friend Lady Russell (Susan Fleetwood), as well as listened to the opinions of her father Sir Walter (Corin Redgrave) and her sister Elizabeth (Phoebe Nicholls) and dissolved the engagement since Wentworth didn’t have much standing. Quite by coincidence Frederick is back in her life after years in the Navy and has made a name for himself as well as a fortune. Anne is convinced, though, that he will never forgive her for her past actions. And when her cousin William Elliot (Samuel West) starts courting her, she might be getting another chance, despite being alread 27 years old and still unmarried.
Persuasion was so incredibly nice, I almost burned the cake that I was baking while watching it because I couldn’t bear to leave Anne and Frederick.
Daisy (Laura Linney) lives a quiet life, taking care of her mother. But all that changes when she gets an invitation to visit her cousin, Franklin D. Roosevelt (Bill Murray), President of the United States of America. They hit it off and quickly become friends, and more. But while FDR is hosting the King (Samuel West) and Queen (Olivia Colman) of England, Daisy has to realize that she is not the only woman in FDR’s life.
This film could have been very great, if the writer and/or the director had been a woman. Or at least able to take a female perspective. Unfortunately, the film completely fails in that regard, which destroyed it in its entirety.