Plot: Debbie Ocean (Sandra Bullock) was just released from prison and has already plans for a new, daring heist at the Met Gala. She just needs to convince her friend Lou (Cate Blanchett) to go along with it and then they can assemble a team to pull it off. And Debby already knows the women they need to do it.
Ocean’s Eight may not be the film of the century, but it never set out to be. What it is, is a perfectly entertaining heist film with a great cast that is a wonderful addition to the Ocean films that have come before it. I hope there will be a sequel or five.
Plot: Gracie (Sandra Bullock) has always be a tomboy and feels more than comfortable in the guys’ club that is the FBI. But when there’s a threat that somebody wants to bomb the Miss USA pageant, her partner Eric (Benjamin Bratt) finds that Gracie really is the only FBI agent who could pull off going undercover as a contestant. She just needs a bit of refinement which shall be provided by old Miss USA coach Victor (Michael Caine). Gracie is not happy about it at all, but she’ll go through with it, causing a lot of confusion in the pageant with every step she takes.
When I saw the film the last time, probably around 10-15 years ago, I was still able to laugh about Miss Congeniality. But the film, unfortunately, didn’t age well.
Lucy (Sandra Bullock) is a lawyer – a good one – with a passion for social activism. That activism has put her at odds with the Wade Corporation on several occasions. When she meets George Wade (Hugh Grant) of said corporation, she is not taken with his charm as the women he ususally surrounds himself with are. Nevertheless when he offers her a job as his lawyer, she accepts, hoping that she can affect change from the inside. But soon Lucy is pretty much responsible for everything in George’s life – and that is more than she signed on for.
Two Weeks Notice is an absolutely pleasant film. It’s light and fluffy and cuddly and utterly inconsequential. There are many worse things a RomCom can be.
Margaret (Sandra Bullock) is a good editor and she loves her job. She is not so much a good boss as her assistant Andrew (Ryan Reynolds) knows from his own experience. When the Canadian Margaret is confronted with the fact that she might be deported because her visa expired, she pressures Andrew into marrying her. But the immigration officer Mr Gilbertson (Denis O’Hare) isn’t convinced, so they can’t just leave it at the formalities. That’s how Margaret ends up at Andrew’s grandmother’s 90th birthday party. With his welcoming family and the two of them in a decidedly unworklike environment, their relationship starts to change.
The Proposal is cute, if you manage to ignore a lot of things about it (heteros are exhausting). I enjoyed it while it lasted, but it won’t become a favorite or a film I’ll revisit at all.
Richard (Ryan Gosling) and Justin (Michael Pitt) are at opposite ends of the high school feeding chain, but they are equally brilliant and equally bored by their lives. So they hatch a plan to commit the perfect murder and actually carry it out. Homicide detective Cassie Mayweather (Sandra Bullock) and her new partner Sam Kennedy (Ben Chaplin) are put on the case and Mayweather soon realizes that something is fishy. Quickly she finds herself in a dangerous game with Richard and Justin.
Murder by Numbers is nothing revolutionary, but it is a nice watch, especially for Cassie Mayweather who is a pretty great character and the generally good performances.
Ryan Stone (Sandra Bullock) is an engineer on her first space mission. She’s accompanied by seasoned astronaut Matt Kowalski (George Clooney). As they’re working on the repairs they were sent up for, space debris hits them badly and Ryan drifts off. And that’s only just the start of their fight to survive and return home.
Before going into the film I heard a whole lot of good things about it and my expectations were accordingly extremely high. And I am happy to report that, contrary to most other films where you go in with high expextations, I left Gravity completely satisfied.
Oskar’s (Thomas Horn) father (Tom Hanks) recently died in the 9/11 attack. Oskar has a hard time coping with it, when he stumbles upon a mysterious key in an envelope with the name “Black” on it in his father’s closet. Oskar decides that he has to find out more and the only logical way to go about it is to talk to every person called Black in New York. So he takes the phone book and starts to visit all of them.
The film is one of the most emotionally manipulative movies I have ever seen. Ever. And I still would have liked it a whole lot, if I hadn’t read the book. But in comparison, the film just leaves a small taste of disappointment.
Michael Oher (Quinton Aaron) is a traumatised, homeless young boy who, because of his sheer size, manages to convince the football coach of a christian private school to plead for his admission in said school. By coincidence, he then is found by Leigh Anne Tuohy (Sandra Bullock), whose kids are in that same school. Leigh Anne takes Michael in to live with her and her family and tries to facilitate his football career.
The troubling racial aspects of the story aside, the film isn’t even half as bad as I thought it would be. That doesn’t mean that it actually deserves all of the accolades it’s gotten, but it means that it’s watchable without going into a diabetic coma.