Justin (Justin Benson) and Aaron (Aaron Moorhead) are brothers who managed to get out of a cult and have slowly been adjusting to life outside of it. But when they get a video from another member of the cult, it re-opens that chapter of their lives and the two decide to head back there to figure things out and find closure. However, once they arrive, the cult starts to make more sense than they ever thought before.
If The Endless hadn’t been a surprise screening, I probably would have avoided it – that’s how much I hated Benson and Moorhead’s first film, Spring. But I have to admit that Endless wasn’t bad, even though I didn’t fall head over heels for it.
Val (Kevin Bacon) and Earl (Fred Ward) do a little bit of everything around the small town of Perfection, Nevada, in the middle of the desert. They are ready for a change, but that change comes in a very different way from what they expect when they and the entire town come under attack from giant snakes that burrow underground. Suddenly the entire small population of Perfection has to fight for their survival.
I know that Tremors has gained quite a cult-following, but maybe it needs the nostalgia factor to really see why that’s the case. I saw it for the first time at the /slash and I thought it was nice, but I didn’t love it.
Kyoko (Ami Tomite) is a young artist who takes great pleasure in humiliating her assistant Noriko (Mariko Tsutsui). But as their sexually charged relationship unfolds, things keep shifting.
I saw the trailer of the film and I was very doubtful that I would like it. But I didn’t think I’d actively hate it. It took me about five minutes to arrive at that point though, and even though I tried to give it more of a chance, I didn’t succeed.
Chrissy (Asta Paredes) and Lauren (Catherine Corcoran) have just come out of a crisis at Nuke ‘Em High, and are already slithering into the next. On a personal level, their principal threatens to out them. On a larger scale, rich company owner Herzkauf (Lloyd Kaufman) isn’t done trying to make profits at Nuke ‘Em High any way he can.
After the short film that ran before it, I fell asleep for the first half or so of the film. But that just meant that I was awake enough to really take in the secod half even though I really didn’t want to. Troma will probably never win me over.
A new STD is spreading around town – Sex Lobsters. And there’s only one person who is able to stop them all: Dolphinman (Gibson Merrick).
Troma doesn’t make my kind of films, and Dolphinman Battles the Sex Lobsters was no exception. Although it really did make me laugh once, when the diagnosis came that it wasn’t, in fact, crabs, but lobsters. Other than that though, I didn’t care for the film one way or another.
Ian (Ian Meadows) and Sam (Harriet Dyer) decide to spend New Year’s Eve camping in the outback. As they set up their tent they discover an empty tent not far from them. Not thinking much of it at first, they become a little concerned when nobody comes back to the tent. When they find a lone toddler in the woods, their concern turns into panic. But before they can get help, they run into two men (Aaron Pedersen, Aaron Glenane) who probably aren’t up to much good.
Killing Ground operates a little too much along the usual plot lines, but it does so rather effectively, making it a solid film.
Gloria’s (Anne Hathaway) life is a mess. Gloria is a mess. When her boyfriend Tim (Dan Stevens) tells her things have to change or she has to move out, she decides to move back to her hometown to live in her parents’ empty house, instead of going to rehab which would have probably been the better choice. Once there she starts working for her childhood friend Oscar (Jason Sudeikis) and keeps partying hard. When reports surface about a giant monster that terrorizes Seoul, Gloria starts to realize that the monster is connected to her somehow.
Colossal has a fun concept that works over long stretches as a metaphor but not always. I enjoyed it, despite a few misgivings.
Plot: Jeffrey Dahmer (Ross Lynch) is a strange boy, an outcast at his school. He spends most of his time dissecting animal carcasses he found and experimenting with them. In his senior year, Jeff discovers that he will get attention if he pretends to be disabled or to have an epilleptic attack. This behavior draws the attention of Derf (Alex Wolff) and his friends (Tommy Nelson, Harrison Holzer) who decide to become the Dahmer fanclub. Jeff is honored, but can’t shake his weirdness that becomes more and more pathological.
My Friend Dahmer feels longer than it is, but in this case, that didn’t bother me at all. I thought it was a strong, thoughtful and smart film.
Jérôme Vandewattyne follows The Experimental Tropical Blues Band on tour. But that tour takes them all places that nobody expects. As things between the band members turn tenser and tenser, everything starts to spiral out of control. Spit’n’Split is a mockumentary in an interesting format: The band really exists and they played themselves, the tour was an actual tour, but the other events are fictional.
Spit’n’Split was an almost unbearable film. It starts boring and devolves into an experience of nerve-grating that made me want to run.
In a post-apocalyptic Belgium, Slutterball is the biggest from of entertainment: a prisoner is hunted through a zombie-infested park by two female roller-derby teams.
Slutterball is a short film and that’s a good thing. I did like the neon-color scheme and the visuals in general, but it was exhausting and the plot was missing. Most of all, it was sexist and transmisic and that just doesn’t work for me. But what else can you expect from a film that uses a fatmisic, sexist slur as its title?