Helena (Julia Hummer) is an actress and a sex worker. She has a daughter, a strained relationship with her mother (Susanne Bredehöft) and is always looking for new possibilities. When she is approached to organize a special event with some of her colleagues, Helena takes the chance. But the event is not your usual escort gig.
Top Girl is a complex approach to sex work that I don’t necessarily agree with, but it gives the topic more thought than a lot of other films and it knows how to work emotions.
Greta (Mira Partecke) is an architect and has a son she’s estranged from. When she unexpectedly loses her job, she desperately tries to get back on her feet. Or drink enough that she forgets that she has lost her footing. She doesn’t seem built to participate in the neoliberal gig culture in the city around her, but is there a place that isn’t within that culture?
Eine flexible Frau is somewhere between art film, narration and sociological cinema – and it’s a really good mix at that. It’s challenging cinema, but if you’re willing to let yourself be challenged, you can get a lot out of it.