Plot: Cassius (LaKeith Stanfield) lives with his girlfriend, the artist Detroit (Tessa Thompson), in his uncle Sergio’s (Terry Crews) garage. Money is tight and that doesn’t really change when Cassius starts a new job as a telemarketer. But success is just around the corner when Cassius discovers his white voice and uses it in his sales. At the same time though his co-worker Squeeze (Steve Yeun) is starting to raise concerns about the products they are selling.
Sorry to Bother You is a wild film, in the best sense: it takes you into entirely different directions and it has so much fun with exploring and experimenting, that it doesn’t matter in the slightest when things get a little messy. I was thoroughly charmed by pretty much everything about it.
Thor (Chris Hemsworth) is fighting to prevent Ragnarok – the end of the world. Having successfully defeated the demon Surtur, he returns to Asgard, only to find Loki (Tom Hiddleston) posing as their father Odin (Anthony Hopkins). After having located the real Odin, he tells Thor and Loki that Ragnarok is still coming: the real threat is their sister Hela (Cate Blanchett). It doesn’t take long for Hela to appear and show how much of a threat she really is.
Thor: Ragnarok is probably the best Marvel film to date. It’s entertaining, full of queer (and also straight) aesthetics and had me in literal tears it’s so funny. It’s absolutely lovely.
Biracial Samantha (Tessa Thompson) hosts a popular radio show on her campus where she tackles racial issues, “Dear White People”. After she wins the election for head of her House, the black only residence on campus, beating out her ex Try (Brandon P Bell), Sam gets a bigger platform for her outspoken activism and things get considerably more heated. The white students, in particular the frat led by Kurt (Kyle Gallner), want to push back by hosting a blackface party and asking Lionel (Tylor James Williams) to investigate undercover in Sam’s House. Meanwhile, Coco (Teyonah Parris) is trying to land a spot on a reality TV show, but they seem more interested in Sam and the tensions surrounding her.
Dear White People started off a bit weird for me, but once the film and I found our groove together and the story really starts, it is an enjoyable, funny film with a very serious core, presenting a perspective that is much too rare in mainstream entertainment.
Adonis (Michael B. Jordan) is settled with a big legacy: he is Apollo Creed’s son. He calls himself Donnie and uses his mother’s surname, just to make sure that he isn’t carrying on his father’s legacy but building his own as a boxer, much to the dismay of his foster mother and Apollo’s widow, Mary Anne (Phylicia Rashad), who would rather not see him box at all. But Donnie makes his own plans: he gives up his job in finance, moves to Philadelphia and seeks out Rocky Balboa (Sylverster Stallone) to ask him whether he’d be willing to train him.
I have to admit that I have not seen any of the Rocky films, so I really have no point of reference for the background of this film. But it isn’t actually necessary. Creed was an engaging sports/boxing film that even brings something new to the table.
Plot: Martin Luther King, Jr. (David Oyelowo) may have gotten the Nobel Peace Prize, but the fight for racial equality is far from over, which is proven again when a bombing of a predominantly black church kills four girls and injures others or when a woman in Selma, Annie Lee Cooper (Oprah Winfrey), is denied to registrate for voting, only the latest of many attempts of hers to do so. King makes voting legislation his next big topic, coming to Selma to start his campaign of civil resistance that is supposed to culminate in a march from Selma to Montgomery. But before things get that far, a lot of stuff has to happen first.
Of all the biopics I’ve recently seen, Selma was by far my favorite. The story is amazing, wonderfully told and the cast was absolutely mind-blowing.
While everybody else in her school is partying, Jill (Camilla Belle) has to babysit at the Mandrakasis’ place: a gorgeous lake house in the middle of nowhere. But as soon as Jill is alone in the house with the kids, strange calls start coming in, the house alarm goes off and Jill feels less and less safe.
The film takes the first 20 minutes of the original and turns them into a full length film. And while they did have some nice ideas to modernize the whole thing, they can’t really keep the tension up.