Toni (Michael Ostrowski) and Horst (Andreas Kiendl) don’t really have much going for themselves. But at least Horst an live cheaply in his grandmother’s apartment. The only trouble is: his grandmother has been dead for a while and if anybody were to find out, his comfortable life would be over. So when he gets a letter from the mayor who wants to congratulate the grandmother on her 100th birthday, Horst and Toni decide to quickly borrow an old woman from the hospital. It just so happens that they manage to take famous actress Elfriede Ott (Elfriede Ott), leading to more trouble than they bargained for.
I’ve heard a lot of good things about this movie, but it’s definitely one of those comedies that really don’t work for me. It had its moments here and there, but altogether it falls in the category of “it’s a thing I’ve seen now.”
Gabi (Ulrike Beimpold) is a supermarket cashier, stuck in her routine. Her kids Ronnie and Sabine (Nikolai Gemel, Angelika Strahser) are grown, her husband Hannes (Rainer Wöss) is distant. She spends most of her spare time trying to lose weight. But all that changes when Gabi starts hearing voices. At first she fights for her routine, but she is soon overpowered by the cacophony of questions and demands in her head. Is she going crazy? Or has she actually been chosen by god?
Superwelt was a fascinating, touching and engaging film, further cementing Markovics skill as a director (I mean, he is a really good actor, but I wouldn’t mind if he would start directing movies full time) and Beimpold’s everything.