Plot: A young man (André Mattoni) suspects that his grandfather’s (Hermann Picha) housekeeper (Rosa Valetti) is trying to kill him to get to his money. So the young man tries to warn his by then isolated grandfather of her machinations by showing him a film. In that film, Tartüff (Emil Jannings) pretends to be a devout priest. He is staying with Herr Orgon (Werner Krauss) and his wife Elmire (Lil Dagover). Elmire is suspicious of Tartüff and his intentions, but Orgon doesn’t want to hear it…
Herr Tartüff is an enjoyable film and Becce’s music is really quite something. I wouldn’t have needed the entire thing to be longer than it was, but I had a good time throughout.
Professor Manfeldt (Klaus Pohl) has spent his life researching the moon. He has theorized that it has huge gold reserves that could be harvested for earth should space travel ever be achieved. But academia laughed him out of work and into poverty. Now the only one who still believes in him is Wolf Helius (Willy Fritsch). After a mysterious man (Fritz Rasp) shows up at Manfeldt’s, trying to steal his research and putting pressure on them all, things are set in motion to finally finish a rocket and fly to the moon together with Manfeldt, his best friend, engineer Windegger (Gustav von Wangenheim), scientist Friede Velten (Gerda Maurus) and the mysterious man.
When I saw Frau im Mond for the first time, I was pretty annoyed with the music that came with it. So getting the chance to see it with different music (and that music performed live) was a good thing and made the film better.
Carmen (Geraldine Farrar / Edna Purviance) works with smugglers. When the city watch gets a new commander in Don José/Darn Hosiery (Wallace Reid/Charles Chaplin), Carmen makes it her mission to seduce him to secure herself and her people a blind eye to their activities. But José/Hosiery falls hard for Carmen, causing unforseeable complications for everybody.
The straight-up Carmen version was fine, though its cinematic language hasn’t aged all that well. The Chaplin version was fantastic though. And for both version, Brock provided excellent music and arrangements.