Plot: Scott (Paul Rudd) is under house arrest for going to Germany and helping out the Avengers. At least that gives him a lot of time to spend time with his daughter Cassie (Abby Ryder Fortson). Meanwhile Hope (Evangeline Lilly) and Hank (Michael Douglas) are trying hard to find a way into the quantum realm where they suspect Hank’s wife and Hope’s mother Janet (Michelle Pfeiffer) to be. The only other person who ever made it there is Scott. When Hope and Hank manage to briefly create a tunnel there, Scott receives a message from Janet. That quickly, he finds himself back in the Ant-Man suit, skirting the last days of his house arrest and trying to help.
Ant-Man and the Wasp was a whole lot of fun and definitely worked better for me than the first Ant-Man film. It still feels like a sideplot in the entire MCU, but a very entertaining one.
Plot: By birth, Lara Croft (Alicia Vikander) is very rich, but since her adventurer father (Dominic West) disappeared, Lara doesn’t want anything to do with the estate. Instead she makes her money as a bike courier, a job that plays into her adrenaline seeking tendencies. But then Lara gets an elaborate puzzle box that sets her on the path of her father’s last adventure. Even though she goes against his wishes with her decision, she decides to retrace his last known steps and figure out what happened.
My first thought after leaving the cinema, was “well, Tomb Raider is a film I have seen now” and that still pretty much captures the level of excitement and fun the film achieved. But at least it never got really boring.
Marquis Warren (Samuel L. Jackson) finds himself with a dead horse, a few frozen corpses he means to deliver to collect the bounty and in the cold in the middle of nowhere. It’s just his luck that John Ruth (Kurt Russell) comes along with his carriage, also transporting a body for the bounty, but a live one – Daisy Domergue (Jennifer Jason Leigh). Warren manages to hitch a ride with them to the next inn, Minnie’s Haberdashery where they are promptly snowed in. Trapped with a group of strangers in a snow storm, tensions start to rise.
The Hateful Eight was one of Tarantino’s weaker films. Definitely his weakest in a while. But a weak Tarantino is still a strong, well-made film. But it didn’t make me enthusiastic and I did have my issues with it.
Mike (Jesse Eisenberg) and Phoebe (Kristen Stewart) have a great life together, if you consider smoking a lot of weed, working dead-end jobs and never leaving the small town they live in a great life. At least they very much love each other. But their existence is completely destroyed when it turns out that Mike is the product of a CIA experimental program which used to be run by Victoria (Connie Britton). But Victoria was demoted, her program scapped and her new boss Adrian (Topher Grace) decided to obliterate the last remains of her program – that means killing Mike. Victoria decides to go against the plan and activates Mike, causing Adrian and his henchmen who came for him a world of trouble.
American Ultra is an entertaining film that is a little uneven but definitely fun to watch.
Since the last movie, Duke (Channing Tatum) has taken over the leadership of the G.I. Joes, with Roadblock (Dwayne Johnson) as his second in command. Both Cobra Commander and Destro have been imprisoned and there should be an end to them. But it isn’t so. While on a mission that all the Joes (save Snake Eyes [Ray Park]) are on, they are attacked and nobody but Roadblock, Lady Jaye (Adrienne Palicki) and Flint (D.J. Cotrona) survive. The Cobras have not only killed the Joes, but also completely destroyed their reputation. And now it is the job of the three survivors [plus Snake Eyes] to set things right again.
Since I’m one of the few people who enjoyed the hell out of the first G.I. Joe movie, I expected grand things from this one. And it fully delivered. It doesn’t make much sense or is smart at all, but it is so. much. fun.
Dr. King Schultz (Christoph Waltz) is a bounty hunter who’s looking for a trio of brothers that he can’t identify. But he knows that the recently sold slave Django (Jamie Foxx) can. So he goes after Django and frees him in return for his help with the bounty hunting. Django agrees and the two of them start working very well together. But Django really wants to get his wife (Kerry Washington) back who has been sold separately. So he and Schultz hatch a plan how to get her out of the clutches of Calvin Candie (Leonardo DiCaprio).
Django Unchained was pretty damn great. It wasn’t perfect, but it was fun, had a great cast, beautiful cinematography and, as usual for Tarantino movies, an amazing soundtrack.
In the middle of the US American civil war, Abraham Lincoln (Daniel Day-Lewis) got reelected for his second term of presidency. And he uses that position to make another push to finally do away with slavery in the US for good by adding an amendment to the constitution. But he faces a lot of opposition, not only from the Democrats, but also from within his own Republican party. As the war draws closer to its end, Lincoln and his staff have to work really hard to pass the amendment in time.
Oh boy, Lincoln is one hell of a boring movie. It’s really long, and it feels even longer. The cast is generally fantastic, but the script is unfocused and Steven Spielberg is really off his game in this one.
A very armed guy (Adrien Brody) wakes up in the middle of a free fall. Fortunately, his parachute opens, before he hits the ground. Unfortunately, on the ground there are quite a few very armed, very dangerous people. But the again, this might not be a bad thing since they soon realise that a) they are not on earth anymore and b) they are not the titular predators – they are the prey.
Predators does a few things very right, but mostly gets wrecked by the really bad dialogues, the most telegraphed plot “twist” in the history of telegraphed plot “twists” and the fact that they kill off my two favourite characters pretty early on. Still. It’s not that bad for an action movie sequel/remake/reimagining.