Plot: Gawain (Dev Patel) likes to drink and sleep with Essel (Alicia Vikander), a sex worker in the local brothel. He does not like to take things seriously or to take on responsibility. His uncle the King (Sean Harris) and his Queen (Kate Dickie) see something more in him though, and his mother (Sarita Choudhury) also has plans for him. But on Christmas, Gawain’s reckless fashion leads him to accept a game from the Green Knight (Ralph Ineson) in probably the worst way – with long-reaching consequences.
The Green Knight is an intense film with absolutely stunning images that did get a little exhausting for me at times. But I’d still recommend it, especially on the big screen.
Plot: Katarina (Alicia Vikander) lives with her boyfriend Mattias (Martin Wallström) and fights with her mother (Josephine Bauer). Her life seems to stretch out before her: working a dead-end job, always this close to poverty, and having many children with Matthias. When she discovers classical music, a new world opens up to Katarina. After actually attending a concert together with Mattias, Katarina is even more intrigued. After losing her job, she returns to the concert hall and just stumbles into a job interview. Much to her surprise, the HR manager (Helén Söderqvist Henriksson) hires her. Her position is more than she hoped for, and puts her in the sight of conductor Adam (Samuel Fröler) who takes a liking to her.
Pure was a fantastic film debut for both Langseth and Vikander. It’s an intense portrayal of a young woman and a sharp look at the intersection of gender and class.
Plot: Emilie (Eva Green) and Ines (Alicia Vikander) are sisters who haven’t seen each other in a long time. Emilie has organized a holiday for the both of them, promising that they’ll visit the most beautiful place on earth. Ines is suspicious, but the two start their journey. Slowly both Emilie’s plans and the frail relationship between the two sisters come to light.
Euphoria is a touching film with great actresses that is a success when it comes to portraying the relationship of the two sisters and less successful regarding the big topic it tackles: assisted suicide.
Plot: By birth, Lara Croft (Alicia Vikander) is very rich, but since her adventurer father (Dominic West) disappeared, Lara doesn’t want anything to do with the estate. Instead she makes her money as a bike courier, a job that plays into her adrenaline seeking tendencies. But then Lara gets an elaborate puzzle box that sets her on the path of her father’s last adventure. Even though she goes against his wishes with her decision, she decides to retrace his last known steps and figure out what happened.
My first thought after leaving the cinema, was “well, Tomb Raider is a film I have seen now” and that still pretty much captures the level of excitement and fun the film achieved. But at least it never got really boring.
Tom (Michael Fassbender) has signed up to be the lighthouse keeper on a small island just off the coast of a small town in Australia. On the rare occasions that he gets to come to the main land and see people, he meets Isabel (Alicia Vikander) and they quickly fall in love. Isabel is happy to lead the solitary lighthouse keeper life with Tom and would love nothing more than a baby. Much to her chagrin, she keeps miscarrying though, so it feels like fate when a boat with a baby washes up on their island during a storm. Tom only wants to see Isabel happy, so he agrees to keep the child. But when they hear of Hannah (Rachel Weisz) whose husband and child were lost during the storm, they will have to make a decision.
The Light Between Oceans is one of the cheesiest films I ever saw. It’s high-quality cheese, no doubt about it, but it was all a little too much for me, ultimately keeping me at a distance.
Ever since he exposed the secret government program that made him what he is, Jason Bourne (Matt Damon) has been in hiding. But his partner Nicky (Julia Stiles) hacked into the CIA and discovered that there are more programs like that and even more information about Bourne’s past than they thought at first. So she contacts him to let him know. Her hacking doesn’t go unnoticed, though. Heather (Alicia Vikander), part of CIA cyber ops, first realizes that Nicky is up to something and when she and CIA director Dewey (Tommy Lee Jones) discover that Bourne is involved, they are dead set on finally getting him.
Jason Bourne delivers what you expect from the Bourne Series. So much so that you could simply watch the first film again, instead of this rather tired re-hash of things we’ve all seen before.
Einar (Eddie Redmayne) and Gerda (Alicia Vikander) are both painters and a happily married couple. While Einar may be more successful than Gerda, at least for now, that doesn’t keep her from continuing to work. When her dancer friend Ulla (Amber Heard) is late for modelling, Gerda asks Einar for help. He feels silly at first, but as he gets in the role, something happens. Einar creates Lili and slowly Lili fights her way to life inside of him.
The way I just described the plot already shows that The Danish Girl is a deeply problematic film – because that is actually an accurate description of how it portrays being trans*. It boils down to a film that is completely misguided and misinformed about what transgender actually is and tears everything apart that stands in the way of that distorted vision, even the basis in reality that it supposedly has.
Adam (Bradley Cooper) was the rising star in the cooking world before alcohol and drugs got the better of him. When his career was completely destroyed (plus the career of some of his friends for good measure), he set himself the penance of shucking a million oysters. Three years later he is sober and as he reaches the final oyster, he is ready to give his career a new start. Activating all his old connections and bullying himself into a restaurant kitchen, he is ready to get that third Michelin star.
Burnt is a film about an asshole that for some reason is be believed the coolest person on the planet. The best that I can say about it is that it’s watchable and the cast is good. Other than that, though, I was mostly annoyed by it.
CIA Agent Napoleon Solo (Henry Cavill) is tasked with finding a scientist who had been working on nuclear technology and has been missing for many years. Now there are rumors that he is being used to create a superweapon. The only way Solo may be able to find him is through the scientist’s daughter, Gaby Teller (Alicia Vikander). Just as he approaches her, Solo realizes that the KGB had the same idea and sent Illya Kuryakin (Armie Hammer) after Gaby. They manage to escape – only to find themselves being forced to work together to prevent the nuclear weapon falling into the hands of a private organization.
The Man from U.N.C.L.E. was a thoroughly enjoyable, entertaining and stylish film. It wasn’t partiuclarly smart, but that was neither expected nor necessary in this case.
Caleb (Domhnall Gleeson) can’t believe his luck when he wins the employee lottery and will be allowed to meet the company’s – Bluebook, a search engine and more – owner, the reclusive genius Nathan (Oscar Isaac). And not only meet him – they will get to spend a week together in Nathan’s home, working on a project together. When Caleb arrives, Nathan announces that he has been working on an AI – and he wants Caleb to test her, Ava (Alicia Vikander), to see if she can pass as completely human. But the more time Caleb spends with Ava, the less he trusts Nathan and his intentions.
Ex Machina is great. Smart, political and surprisingly feminist science fiction, beautiful images, excellent script and a wonderful cast. I was blown away by it.