Angels in America – Part One: The Millennium Approaches and Part Two: Perestroika
Director: Marianne Elliott
Writer: Tony Kushner
Cast: James McArdle, Andrew Garfield, Russell Tovey, Denise Gough, Susan Brown, Nathan Lane, Nathan Stewart-Jarrett
Seen on: 20. and 27.7.2017
It’s the 80s and the AIDS crisis is in full swing. Louis Ironson (James McArdle) just found out that his boyfriend Prior Walter (Andrew Garfield) is infected and he doesn’t know how to deal. Joe Pitt (Russell Tovey) also isn’t able to deal: as a Mormon and a Republican and married to Harper (Denise Gough), he can’t possibly be gay, can he? Joe and Louis both work for Roy Cohn (Nathan Lane), a lawyer who may enjoy fucking other man, but that doesn’t make him gay. But Roy’s health is also on the decline.
Angels in America is an affective and effective play, and this production feels monumental. It weighs heavily – as is only right for the topic matter.
Dennis Nash (Andrew Garfield) is trying his best to keep the family home together where he lives with his mother Lynn (Laura Dern) and his son Connor (Noah Lomax). But work has been sparse and now they are threatened with foreclosure. After a last attempt at court, Dennis finds the police and bank representative Rick Carver (Michael Shannon) in front of his house, putting him and his family on the street. Dennis is at a complete loss, but by chance he actually finds a job with Rick who doesn’t exactly work above the line in all places and rakes in quite a profit.
99 Homes is a well made film that is quite clear in its criticism of capitalism – which is much appreciated. But it’s also a film that is a little too hopeless for my taste.
Peter (Andrew Garfield) enjoys his life, just having graduated from high school and dating the girl of his dreams, Gwen (Emma Stone). Oh, and of course fighting crime as Spider-Man. But the question of why his parents abandoned him still haunts Peter and his investigation only makes things more confusing. Plus, there is something going on at Oscorp that seems directly related.
The Amazing Spider-Man 2 is an extremely entertaining, funny film – but one that does have some major flaws. That makes the film a weird mixture of enjoyable and disappointing, though I’m leaning more towards enjoyable.
Peter Parker (Andrew Garfield) grew up with his aunt (Sally Field) and uncle (Martin Sheen) since his parents had to leave him because of his father’s science research. By now, Peter is an adolescent and struggles with the usual teenage problems, like being in love with Gwen (Emma Stone). But then he stumbles upon his father’s notes which in turn leads him to the research of Curt Connors (Rhys Ifans). While in Connor’s lab, Peter gets bitten by a weird spider and soon finds that he has developed superpowers.
I’m the first to admit that I’m not the world’s greatest Spider-Man fan. I had hoped that this movie would give me another fresh chance to fall in love with the character, but unfortunately it was way too dumb for anything like that.
Kath (Carey Mulligan) watches Tommy (Andrew Garfield) go in for his probably final donation and uses this time to reflect upon her life: How she grew up at Hailsham together with Tommy and Ruth (Keira Knightley), slowly discovering and coming to terms with the path chosen for her by her mere existence: she like all the other children at Hailsham is a clone, built for donating her organs and ultimately her life.
Never Let Me Go is an excellent adaptation, though it doesn’t manage to be quite as good as the book. Which probably wouldn’t have been possible anyway. But with a brilliant cast, wonderful soundtrack and very nice cinematography it has everything you need.
When Erica (Rooney Mara) breaks up with Harvard-student Mark (Jesse Eisenberg), he goes home, gets drunk and programs a website where you can compare the hotness of two (female) Harvard students. This gets him into trouble, but he also gets a bit of fame out of it. Shortly afterwards he is approached by his co-students Cameron and Tyler Winklevoss (Armie Hammer) and Divya Narendra (Max Minghella) who are planning to build a dating site, Harvard Connection and ask for his programming help. Mark agrees but instead starts to build his own social networking site: The Facebook.
The movie is fantastically written, wonderfully acted and perfectly directed. While the guys involved yould have made a little more effort to include women who are actual characters, everything else is just as it should be and makes for an engrossing movie.
Doctor Parnassus (Christopher) has a travelling “circus” which he operates together with his best friend Percy (Verne Troyer), his daughter Valentina (Lily Cole) and Anton (Andrew Garfield). Unfortunately things aren’t going too well. A long time back, Parnassus made a deal with the devil (Tom Waits) and promised his daughter to him on her 16th birthday, which is fast coming up. That’s when they stumble upon Tony (Heath Ledger/Johnny Depp/Jude Law/Colin Farrell) who is hiding something but quickly turns their whole word upside down.
Ideas! Ideas! Ideas! Terry Gilliam must have gotten them wholesale some time ago… While the movie isn’ t perfect, it lives from the stunning visuals, from the multitude of ideas and the great performances.