Plot: After hiding a body under the floor and burning down the house around it, Stanton (Bradley Cooper) is leaving town. He ends up with a traveling carneval troupe, and he seems made for that career, learning the tricks of the business from Zeena the Seer (Toni Collette) and her husband Pete (David Strathairn). Stanton is ambitious, he definitely has plans to make his own way and he hopes to bring Molly (Rooney Mara), beauty of the carneval along for them. After they do make their own start, psychologist Dr. Lilith Ritter (Cate Blanchett) shows up at one of their performances – and Stanton believes that they can build a business together.
Nightmare Alley was quite a disappointment with strange casting choices and pacing issues that completely hobble the film. I was expecting more form a del Toro film.
Plot: Under Hiccup’s (Jay Baruchel) leadership, Berk has become a sanctuary for dragons, and a bustling city filled with both humans and dragons. In fact, things are going so well, they are actually running out of space for everyone. But dragon hunter Grimmel (F. Murray Abraham) has set his sight on Berk and its dragons – Toothless in particular. And he finds the perfect bait for his plan.
I loved the first How to Train Your Dragon film a lot. And I very much liked the second one, but didn’t love it as much anymore. The third film, unfortunately, continues the trend and is the weakest one so far. It’s still cute, but it’s probably for the best that they (probably?) won’t continue after this.
Plot: Debbie Ocean (Sandra Bullock) was just released from prison and has already plans for a new, daring heist at the Met Gala. She just needs to convince her friend Lou (Cate Blanchett) to go along with it and then they can assemble a team to pull it off. And Debby already knows the women they need to do it.
Ocean’s Eight may not be the film of the century, but it never set out to be. What it is, is a perfectly entertaining heist film with a great cast that is a wonderful addition to the Ocean films that have come before it. I hope there will be a sequel or five.
“Plot”: In 13 segments and with 13 different protagonists (Cate Blanchett), the film digs into artists’ manifestos, combining and contrasting them to meditate on art, artists and their role in society.
Manifesto is an experimental and highly demanding film. At times I was very lost and would have liked somebody to take my hand and walk me through it. But even when I didn’t understand everything about it and could categorize it perfectly, it affected me.
Thor (Chris Hemsworth) is fighting to prevent Ragnarok – the end of the world. Having successfully defeated the demon Surtur, he returns to Asgard, only to find Loki (Tom Hiddleston) posing as their father Odin (Anthony Hopkins). After having located the real Odin, he tells Thor and Loki that Ragnarok is still coming: the real threat is their sister Hela (Cate Blanchett). It doesn’t take long for Hela to appear and show how much of a threat she really is.
Thor: Ragnarok is probably the best Marvel film to date. It’s entertaining, full of queer (and also straight) aesthetics and had me in literal tears it’s so funny. It’s absolutely lovely.
Mary Mapes (Cate Blanchett) is a producer on CBS’ 60 Minutes, hosted by Dan Rather (Robert Redford). They get wind of a story that George Bush Jr may have received favorable treatment in the army which kept him out of harm’s way and could considerably hurt his run for the presidency. They investigate and despite a few incongruencies decide to go ahead and report on the story. It doesn’t take long, though, for serious doubts to arise as to the veracity of the story and the supporting documents. Quickly, Mary finds herself under heavy fire.
Truth is a decent film carried by Blanchett, but it fundamentally misunderstands the quest it is on, which does throw a wrench in its own works.
Hanna (Saoirse Ronan) grows up with her father Erik (Eric Bana) in complete seclusion. He trains her to be the perfect spy and she grows up knowing that once she leaves her solitary life, she will be hunted down by Marissa (Cate Blanchett). Nevertheless Hanna wants to head out into the world and finally Erik also agrees that she’s ready. So the first thing Hanna does is to head out and try to kill Marissa, before Marissa can kill her.
I was rather disappointed in the film when I saw it the first time – I just didn’t think it lived up to its potential. So I hadn’t planned on watching it again but then it was part of my curriculum at uni and I decided to give it another try. With my expectations dialed down, I was able to enjoy Hanna much more than the first time.
Therese (Rooney Mara) works in a department store but dreams of becoming a photographer. When she meets Carol (Cate Blanchett), she feels immediately drawn to her. And Carol seems to feel the same. But that society doesn’t accept homosexuality is only one problem the two have: where Therese is young and inexperienced and has a boyfriend (Jake Lacy), Carol is trapped in a marriage with Harge (Kyle Chandler) who doesn’t hesitate to use their daughter to make Carol stay.
Carol is a beautiful film with great performances and a nice story. I can’t find any fault with it and yet, I didn’t love it as much as I thought I would.
Rick (Christian Bale) is a screenwriter living in LA. He moves from party to party, woman to woman. He seems to be looking for something, but who knows for what?
[Actually the first note I wrote down for this film is: “I don’t think I could write a plot description for this film”, so you’ll have to live with that little bit.]
I don’t like Terrence Malick movies. I decided to watch this one anyway because Cate Blanchett! Christian Bale! Natalie Portman! And so many other actors I love. But it turns out that Knight of Cups is everything I hate about Malick movies turned up to 11, while nothing I used to still like about them works for me anymore.
After her mother’s (Hayley Atwell) death, Ella’s (Lily James) father (Ben Chaplin) gets married again. Cinderella’s stepmother (Cate Blanchett) and her two daughters (Sophie McShera, Holliday Grainger) move in and change Ella’s life forever. When her father dies a short time later, Ella becomes Cinderella, a servant to her stepmother and stepsisters. When the Prince (Richard Madden) invites all unmarried women to a ball to choose his wife, Cinderella would like to go as well, but needs the help of her fairy godmother (Helena Bonham Carter) to do so. But there are still some difficulties to be faced until the happy end.
Cinderella brings the aesthetic of the animated Disney version to life and adds its own brand of humor. It is a little long at times and the script isn’t particularly good, but it’s enjoyable.