Plot: Debbie Ocean (Sandra Bullock) was just released from prison and has already plans for a new, daring heist at the Met Gala. She just needs to convince her friend Lou (Cate Blanchett) to go along with it and then they can assemble a team to pull it off. And Debby already knows the women they need to do it.
Ocean’s Eight may not be the film of the century, but it never set out to be. What it is, is a perfectly entertaining heist film with a great cast that is a wonderful addition to the Ocean films that have come before it. I hope there will be a sequel or five.
“Plot”: In 13 segments and with 13 different protagonists (Cate Blanchett), the film digs into artists’ manifestos, combining and contrasting them to meditate on art, artists and their role in society.
Manifesto is an experimental and highly demanding film. At times I was very lost and would have liked somebody to take my hand and walk me through it. But even when I didn’t understand everything about it and could categorize it perfectly, it affected me.
Thor (Chris Hemsworth) is fighting to prevent Ragnarok – the end of the world. Having successfully defeated the demon Surtur, he returns to Asgard, only to find Loki (Tom Hiddleston) posing as their father Odin (Anthony Hopkins). After having located the real Odin, he tells Thor and Loki that Ragnarok is still coming: the real threat is their sister Hela (Cate Blanchett). It doesn’t take long for Hela to appear and show how much of a threat she really is.
Thor: Ragnarok is probably the best Marvel film to date. It’s entertaining, full of queer (and also straight) aesthetics and had me in literal tears it’s so funny. It’s absolutely lovely.
Mary Mapes (Cate Blanchett) is a producer on CBS’ 60 Minutes, hosted by Dan Rather (Robert Redford). They get wind of a story that George Bush Jr may have received favorable treatment in the army which kept him out of harm’s way and could considerably hurt his run for the presidency. They investigate and despite a few incongruencies decide to go ahead and report on the story. It doesn’t take long, though, for serious doubts to arise as to the veracity of the story and the supporting documents. Quickly, Mary finds herself under heavy fire.
Truth is a decent film carried by Blanchett, but it fundamentally misunderstands the quest it is on, which does throw a wrench in its own works.
Hanna (Saoirse Ronan) grows up with her father Erik (Eric Bana) in complete seclusion. He trains her to be the perfect spy and she grows up knowing that once she leaves her solitary life, she will be hunted down by Marissa (Cate Blanchett). Nevertheless Hanna wants to head out into the world and finally Erik also agrees that she’s ready. So the first thing Hanna does is to head out and try to kill Marissa, before Marissa can kill her.
I was rather disappointed in the film when I saw it the first time – I just didn’t think it lived up to its potential. So I hadn’t planned on watching it again but then it was part of my curriculum at uni and I decided to give it another try. With my expectations dialed down, I was able to enjoy Hanna much more than the first time.
Therese (Rooney Mara) works in a department store but dreams of becoming a photographer. When she meets Carol (Cate Blanchett), she feels immediately drawn to her. And Carol seems to feel the same. But that society doesn’t accept homosexuality is only one problem the two have: where Therese is young and inexperienced and has a boyfriend (Jake Lacy), Carol is trapped in a marriage with Harge (Kyle Chandler) who doesn’t hesitate to use their daughter to make Carol stay.
Carol is a beautiful film with great performances and a nice story. I can’t find any fault with it and yet, I didn’t love it as much as I thought I would.
Rick (Christian Bale) is a screenwriter living in LA. He moves from party to party, woman to woman. He seems to be looking for something, but who knows for what?
[Actually the first note I wrote down for this film is: “I don’t think I could write a plot description for this film”, so you’ll have to live with that little bit.]
I don’t like Terrence Malick movies. I decided to watch this one anyway because Cate Blanchett! Christian Bale! Natalie Portman! And so many other actors I love. But it turns out that Knight of Cups is everything I hate about Malick movies turned up to 11, while nothing I used to still like about them works for me anymore.
After her mother’s (Hayley Atwell) death, Ella’s (Lily James) father (Ben Chaplin) gets married again. Cinderella’s stepmother (Cate Blanchett) and her two daughters (Sophie McShera, Holliday Grainger) move in and change Ella’s life forever. When her father dies a short time later, Ella becomes Cinderella, a servant to her stepmother and stepsisters. When the Prince (Richard Madden) invites all unmarried women to a ball to choose his wife, Cinderella would like to go as well, but needs the help of her fairy godmother (Helena Bonham Carter) to do so. But there are still some difficulties to be faced until the happy end.
Cinderella brings the aesthetic of the animated Disney version to life and adds its own brand of humor. It is a little long at times and the script isn’t particularly good, but it’s enjoyable.
The dwarves and Bilbo (Martin Freeman) have roused Smaug (Benedict Cumberbatch) and Smaug is on his way to lay waste to Laketown. But Bard (Luke Evans) manages to save the town from that fate by killing Smaug. Now the Lonely Mountain can be claimed by Thorin (Richard Armitage), who immediately starts looking for one particular gem – the Arkenstone – and slowly succumbs to dragon sickness. In the meantime various armies start to gather outside the Lonely Mountain, all with a different claim on the treasure and/or the people within.
I thought that the last installment of the movie really was quite disappointing. I mean, neither of the three can live up to The Lord of the Rings anyway, but at least Desolation of Smaug was entertaining. Battle of the Five Armies was too much battle, too little coherence and way too much Alfrid.
British Philippa (Cate Blanchett) has been trying and trying to get the Italian police’ attention regarding her husband’s death but was continuously ignored. So she decides to plant a bomb in the office of the man she holds responsible for her woes. Only that things go bad and she kills four other people instead. She is arrested quickly and demands that her interrogations are held in English, not Italian. A young officer (Giovanni Ribisi) takes over that duty and falls in love with Philippa, deciding that he has to help her.
I saw the cast of this film and knew that I had to watch it – which meant that I went in without really knowing much about it. It did take me on a quite surprising voyage through twists and turns that I really didn’t expect. And I enjoyed every second of it.